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February 3, 2024 / barton smock

dogs deer death in Ohio I’m myself twice

Insects eradicate loneliness
all the time.

The flood was never god's.
February 2, 2024 / barton smock

surface machine

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February 2, 2024 / barton smock

body machine

Angels choose ghosts for god. I’m lonely when you’re here and not when you’re not. For emphasis, don’t read this if you’re not my brother. If you are, don’t read this aloud. I’ve never been to a strange place. My son writes a story about a cannibal eating the mother of the antichrist. I want to fix the devil. The story goes deeper than I want it to. I drink all day. My sons are alive. My sons tell me they can be alive in their sleep. I want to test god. I give a pill to Adam and he waits for my signal. When Adam dies, he dies thinking his stomach is where it should be. My longing isn’t ready.
February 1, 2024 / barton smock

notification machine

nothing
finds nothing
to adore
adores
it all
February 1, 2024 / barton smock

nearness machine

for Mark Lanegan

Ohio is prose
bruised
roadkill
and Ohio
is the tugged-at

insides
of a videocassette
and Ohio
has one
good wrist
and one
blood-shy
nose

And there are lakes
in Ohio
that dream
their fish
and the fish
still die

But it's okay, dream
dream it's

okay

Don't
provoke
longing
January 31, 2024 / barton smock

black mouse machine

for Mark Lanegan

Snow grief
and star
grief

so rarely
die

during the removal
of thunder's
stomach

that I thought
twice
and killed
with no help
from god
a red

fly
on a blue
train
January 31, 2024 / barton smock

poems for Genevieve

Two divers
who will never
meet,
meet.

I am so
deeply
dumb. Most waters

are born
missing.
January 29, 2024 / barton smock

finally I am tired of great things

We're just
god's search
for evidence
of us
January 28, 2024 / barton smock

words toward Sarah Ghazal Ali’s ‘Theophanies’ (Alice James Books, 2024)

THEOPHANIES
poems, Sarah Ghazal Ali
Alice James Books, 2024

~

At the intersection of accidental and borrowed dialogues, there exists a holiness uncovered as a pre-existing condition and it’s there you may find Sarah Ghazal Ali’s poems as they have been carried into and out of, as they have been consoled for and cared for within, the collection Theophanies. These are musics of temporary permanence, and I now, as you soon, will not refrain from our mild but wholly offered singing. Precious and profane, mistake and miracle, these poems know praise as theft and ask the body to unfollow its gut. As a reader, I am always struck by loss in a way that makes me present, and, while I was struck no less different in the open places that Ghazal Ali closes with their housed verse, the queried losses made a trinity of new interrogations. The first loss of a language that uses sound to be seen, the double loss of birth, and the past loss of being given a name you can’t be called. I was present and was also soon to be made present. By its end, its beginning had restarted the proxy resurrections of its revelations, and I plainly understood and beautifully misunderstood what it meant or did not mean to be under those lowest gods that gift clay to any prayerful form bent from its time as a shape. Theophanies is a vessel that travels unveiled in a vision all should have.

~

reflection by Barton Smock
January 26, 2024 / barton smock

hoax machine

You can't
behead
an owl.

Snakes
don't dream.

We throw eggs at the sun
but it's a world
of eggs. Touch

is spotlight's
last meal