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June 15, 2024 / barton smock

words toward Aase Berg’s ‘With Deer’, translated by Johannes Göransson (Black Ocean, 2012)

With Deer
By Aase Berg
Translated by Johannes Göransson
Black Ocean, 2012

These holes keep appearing. In my shirt, in the ground. A hole can be almost anything glowing with shame. Aase Berg’s With Deer is dangerous. Especially on Saturdays. Saturdays aren’t real. Johannes Göransson’s translation of With Deer is an excitement. Excitement as tower, as ruin, but also excitement as satellite. It is thrilled to have enemies, is what I mean. No matter, no matter. The lookout’s grief blips through radar after radar. Radar, before. What a bronzing of sin. I carry a snake in an insect’s dream. I look like hell in the place where my intestines meet. Inside joke, outside sorrow. I don’t know where else it happens, this inventory of squirrel loneliness, this ghost reverb of haunted autopsies. These are landmark injuries. Go there, go here, as wax figure, as mannequin. Let burial go. And throb in some groundstruck ache.

~

reflection by Barton Smock
June 15, 2024 / barton smock

Ethan Hawke letter 2, 061524

Letter 061524 words toward god and sleep and Aase Berg

Dear Ethan Hawke

I said this yesterday but I’m a fan omfg of remaining. Think A Midnight Clear. I don’t know what happened to Keith Gordon. Don’t tell me, and I promise I won’t AI that shit. I like to think he is okay. I did not see Mother Night and still regret it. Regret doesn’t go away, so again I’ve said something I didn’t mean. Don’t. Fuck I can’t write. Does everyone know? I said this yesterday but it keeps us awake that god can’t sleep. I think god saw the face of an insect and then made insects. Then made The Woman In The Fifth. I don’t know if you remember what I said about us only getting one simulation. And that was only yesterday.
June 14, 2024 / barton smock

recent words toward films (Sometimes I Think About Dying, You’ll Never Find Me, A Perfect Day For Caribou, Where The Devil Roams)

Rachel Lambert's Sometimes I Think About Dying has a spellbroken elegance to it that sounds like the world around it overheard itself and retreated with the design but not with the details. I was afraid, in the viewing, that I'd intrude. Daisy Ridley does precious much with darkness, and makes it not a delicacy but thing asking to be opened correctly. Lovely, slow, awake, and harsh.

Sound touches light and hell goes nowhere. Sight creates a signature eye for the soul to roll around in. Indianna Bell’s and Josiah Allen’s You'll Never Find Me places a dual duel in the middle of a very small nowhere and lets terror speak its mouth. We’ll know when they know and we’ll all watch separation punish the detached with isolation and illusion. Brendan Rock and Jordan Cowan vibrate, glow, and go swimmingly dark. This whole endeavor hums, quiets, and leaves one left.

Jeff Rutherford's A Perfect Day for Caribou is a blink-and-you'll-see-it film of fast vision and punk fragility and knows that a short story is a long story slowed down. With a ramshackle restraint, it ghosts itself into finding what goes missing when not unleashed. No punches pulled, these are tired people, their cigarettes like little casts for little broken arms. Charlie Plummer, Jeb Berrier, and Dana Millican leave their roles often to walk them just out of view and then walk them back to sit awhile as if movement is the only angel that can touch the earth. Lovely, loved, film.

Where the Devil Roams, written and directed by Toby Poser, John Adams, and Zelda Adams, suffers beautifully from self-diagnosis and subsequently from phantom dream syndrome to irreversibly give us the nightmare we'll never have. It's a fucking gift. Jaggedly creative, its kitchen sink is real whether or not the blood washed there is.
June 14, 2024 / barton smock

Ethan Hawke letter 1, 061424

Letter 061424 words toward my daughter getting married

Dear Ethan Hawke

A song played that made me forget a song was playing. I made my daughter laugh a couple times in a place that knew itself into beauty. There is always a church. A church near a church. I don’t really pray bc I pray all the time. My healthy sons sat with my sick son. I don’t mean to say it that way. Say, I say, to saying. It all felt very young. Very elsewhere. Elsewhere, the worlds of more. Beside me, my wife looked perfectly alone. I mean to say it that way. Alone in her own perfection. My sick son is not sick unless you account for healing. It was such a great day. It gave way, and gained. I hate the world, and days end. We only get one simulation. Run out of sadness.
June 13, 2024 / barton smock

words toward Zaynab Iliyasu Bobi’s ‘Cadaver Of Red Roses’ (O, Miami, 2024)


Cadaver Of Red Roses
Zaynab Iliyasu Bobi
O, Miami (2024)

In the elegantly wrestled verse of Cadaver of Red Roses, poet Zaynab Iliyasu Bobi takes actual place and actual thing as a gift and re-gifts them as a fair and brutal math, a hungry and clawed-at grammar, a headlining and interrupted voice. Its anger illuminates hallucinations that are ever-present, and its peace reverses ritual might its purple prayer leave a mark looked for by a bruise. It says yes, and so what, and it sings home using the notes of the seriously remote. So sing, so look. Keep pace. Its portals have softspots for the void.

~

reflection by Barton Smock
June 13, 2024 / barton smock

perfect age machine

Forgetting loses its house to an angel with a photographic memory. Hell falls back into hell. Most deer remember a deer in headlights. Loss beats me to my kids, but not to yours. God can’t dream. I wear a blindfold and throw a rock made of blood. Up to three wasps fit in your mother’s eye. Week ago I saw a man punch a woman while she was driving. I’m not weak. My knees, my teeth. Mean rain. 
June 12, 2024 / barton smock

practice machine

Three days after surgery and god is still saying violent things. The angels have gone to see the oil spill. My son cries weird, but not like that.
June 4, 2024 / barton smock

dusk machine

Keep, cricket. 

The mirror’s
been
unplugged.

I drink
under star
the y
from stray. Say god,

say nearer
my stomach
to thee.

The outside child
is outside, the inside

child
is a pill, a lobster, a banshee

in a cup
of mouthwash.

All things dead

dead
right now.
June 3, 2024 / barton smock

maybe we are sick machine

I deleted the poem. The kids were out of food. The kids were praying to the period detail in your dream. The kids were all the same. One went missing for like seven minutes. The angel of toothaches pulled a weeping bone from a tree we thought would cry. Cry, we said. Angels aren’t even strong. I deleted the poem. Your death, your death.
June 3, 2024 / barton smock

revision, updated, the tornado that lost our emptiness

SELF PUBLISHED New and Selected

The Tornado That Lost Our Emptiness
(cover image by Noah M Smock)
700+ pages
poems 2019 to selected present
hardcover 30.00, softcover 20.00

can be purchased via paypal (bartsmock@gmail.com)
or Venmo: @Barton-Smock-2
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