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March 28, 2018 / barton smock

removal musics (v)

who was it / lord / did / your stitches

(it is not
like losing
an oar)

turtle
can you sense
your twin

March 28, 2018 / barton smock

tug musics

to enter
too early
the long
illness
of world
oh school
of fish
this way
to shadow’s
wedding
oh heartless
deer
hornless
train
oh son
whose dream
could burn
a spotlight / &
whose brain
could break
with birdlike
amens
the earthworm’s
bone

March 28, 2018 / barton smock

{page}

thru March 29th, Lulu is offering 15% off all print books with coupon code of FIFTEEN

poetry collections, mine, self-published, are here: http://www.lulu.com/spotlight/acolyteroad

my most recent is {everything I touch remembers being my hand}, and is here:
http://www.lulu.com/shop/barton-smock/everything-i-touch-remembers-being-my-hand/paperback/product-23527319.html

~

private publications are available via paypal (bartsmock@gmail.com) or https://www.paypal.me/BartonSmock

as such:

chapbook, [BASILISK], 64 pages $5.00
(Feb 2017)

chapbook, [the accepted field], 84 pages $5.00
(May 2017)

chapbook, [in this life another is you], 64 pages $3.00
(Oct 2017)

~

as for non self-published work, my chapbook {infant*cinema / Dink Press / 2016} is here:

https://www.dinkpress.com/store/infant-cinema-barton-smock-dp2

of which, some said, say:

i.

With sparse language, Barton Smock creates semi-prose poems that contain concentrated riddles, such as in the line “follow the spider’s trail of abandoned birthmarks” or “one of us is dreaming I entered your body.” There are clues across poems, of a broken family, of disbelief in religion and reality, and of the pain stemming from all of that and more. The question of the nature of pain itself is put forth, and its origin: “before it began to go everywhere without him, was pain god?” An evocation of both the trinity (namely, god as his own son) and a child’s jarring transition into independence, which can be destructive to the self and others, for who is so easily prepared for the world? The poems are without titles, except for the title of the chapbook as a whole: infant*cinema. “inside my father I can’t hear one tv over another. […] the people watching the fight want to be seen looking at it.” As soon as we begin to concretely process our surroundings as infants, we must absorb or cancel out competing stimuli, but even so we need to learn what is what. By then, we may have seen too much, the violence of disappointment, loneliness, and, more often than one would like to admit, mental and physical abuse. But is this what makes humans human?

~George Salis

ii.

review at Forage Poetry by Emma Hall:

https://foragepoetry.com/2016/12/02/review-of-infantcinema-by-barton-smock-emma-hall/

March 28, 2018 / barton smock

{isacoustic.com}

{isacoustic*}

submit no less than [3] and no more than [7] pieces (poems, prose, poetics) to: isacousticsubmissions@gmail.com

/poems can be in the body of the email or attached, in one file, as PDF, doc, docx

//include a brief and non-clever bio

~

for unsolicited submissions:

in order to be published, [3] of the poems in the submission must be selected by the editors

~

payment for a selected submission is 15.00

/payment will be made within two months of the posting /payment can be made either by PayPal or by regular mail

//previously published and simultaneous submissions are okay

///response time is 3 days ///please inquire if that time passes (without)

////if rejected, wait a month before submitting again.

note: resubmitting is not advisable if one is doing so to lecture us on what is a fit for our site. that is not resubmitting, that is bullying.

~

every three months, the editors will self-publish a journal of the poems posted in those months. contributors who provide a physical address will receive a hard copy, others a PDF.

be sure to include a physical mailing address to send the journal to. also note how you would like to receive payment, via PayPal or by regular mail.

~

what the editors are looking for:

image-based absence.

/structurally sound offhandedness.

//unreliable clarity.

///purpose.

what the editors are not looking for:

/misogyny. empty objectification. toward, or of, the body. toward, or of, the spirit.

~

contributor sample:

Tara Ballard
https://isacoustic.com/2018/03/24/person-tara-ballard-five-poems/

Ed Churchouse
https://isacoustic.com/2017/12/18/person-ed-churchouse-four-poems/

Jessica Dawson
https://isacoustic.com/2018/03/21/person-jessica-dawson-three-poems/

Kelli Allen
https://isacoustic.com/2018/01/08/person-kelli-allen-one-poem/

Marisol Baca
https://isacoustic.com/2018/02/23/person-marisol-baca-four-poems/

~

reviews, reflections on-site:

VOID SETS by Michelle Gottschlich:
https://isacoustic.com/2018/03/24/void-sets-poems-michelle-gottschlich/

Inquisition by Kazim Ali:
https://isacoustic.com/2018/03/19/inquisition-poems-kazim-ali/

Third-Millennium Heart,by Ursula Andkjær Olsen, translated by Katrine Øgaard Jensen:

Third-Millennium Heart – poetry – Ursula Andkjær Olsen, translated by Katrine Øgaard Jensen

Adrenalin by Ghayath Almadhoun, translated by Catherine Cobham:

Adrenalin – poetry – Ghayath Almadhoun

One Throne by Rae Hoffman Jager:

One Throne – poems – Rae Hoffman Jager

hooked through by Sara Moore Wagner:

hooked through – poems – Sara Moore Wagner

Saudade by Traci Brimhall:

Saudade – Traci Brimhall

Indictus by Natalie Eilbert:

Indictus – poems – Natalie Eilbert

Two Towns Over by Darren C. Demaree:

Two Towns Over – poems – Darren C. Demaree

Portrait of a Body in Wreckages by Meghan McClure:

Portrait of a Body in Wreckages – prose- Meghan McClure

~

isacoustic.com

 

 

March 28, 2018 / barton smock

removal musics (iv)

flicking cigarettes from the highest car of a stopped ferris wheel, we sing at how sex is the centaur’s trap door. you

are telling rain
not to look. there are jobs

no one gets. abacus / mascara / there are words

responsible
for your mother’s
face. it is more pregnant

to bury
a footprint.

March 27, 2018 / barton smock

removal musics (iii)

I don’t know anything about swans
but there will be one
at the parade
so I am planning
to go
not to learn
about swan
but to see
their swan
my swan
unless of course
I see a swan
between now
and then
a swan
that is maybe
sick
what happened
swan

to the lightning
that drank
our milk

March 26, 2018 / barton smock

wrist musics (vi)

grief
is a red-haired jesus
whose barber
puts a dollhouse
mirror
on my mother’s
tongue

blood
is water’s
favorite
child

at the baptism
some agree
that my father
knows
his milk, others

that any creature
on four legs
has one
ghost
knows how
to swim

March 25, 2018 / barton smock

due musics

i.

where also
her belly button
doubles
as air
for any
shoebox
crow
resurrecting
erasure
poems
from god’s
past…

ii.

the caterpillar
dead
where ants
come to pray

March 25, 2018 / barton smock

{person Maayan Avery at isacoustic*}

Maayan Avery has three poems at ~ isacoustic* ~

https://isacoustic.com/2018/03/25/person-maayan-avery-three-poems/

 

 

March 24, 2018 / barton smock

{de.nounce}

coupon code change: thru March 26th, Lulu is offering free shipping or 50% off ground shipping on all print products with coupon code of SHIPIT2018

barton smock's avatarkingsoftrain

thru March 22nd, Lulu is offering 20% off all print products with coupon code of TWENTY18

poetry collections, mine, self-published, are here: http://www.lulu.com/spotlight/acolyteroad

~

private publications are available via paypal (bartsmock@gmail.com) or https://www.paypal.me/BartonSmock, as such:

chapbook, [BASILISK], 64 pages $5.00
(Feb 2017)

chapbook, [the accepted field], 84 pages $5.00
(May 2017)

chapbook, [in this life another is you], 64 pages $3.00
(Oct 2017)

~

PDFs of some collections available at gumroad: https://gumroad.com/bartonsmock

call for submissions: https://isacoustic.wordpress.com

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