last day for this coupon code.
thru May 14th, Lulu is offering 10% off all print books and free mail shipping (or 50% off ground) with coupon code of BOOKSHIP18
*
most recent work, mine:
~
eating the animal back to life
10.00
315 pages
published July 2015
http://www.lulu.com/shop/barton-smock/eating-the-animal-back-to-life/paperback/product-22277755.html
of which Kazim Ali says:
Speaking of being captivated, when I was in Cleveland’s most exciting new independent bookstore, Guide to Kulchur, I picked up on a whim a few small volumes that appeared to have been published by the author using Lulu. I was so entranced by the seemingly simple but endlessly complex, prickly lyrics that I wrote to the author, Barton Smock, through his blog, kingsoftrain.wordpress.com. He’s been sending me books now and then and his latest, Eating the Animal Back to Life, is just knocking me out. These poems are desperate, tender, wry, alarmed, god-obsessed, and musically driven. Smock…
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to be unthought of is to be one more person away from pain. no cricket you hear is alone. in my boy’s drawing of jesus, the ears are all wrong. his first sad poem is about an oven. his second calls dust the blood of a seashell. his third is so terrible that I tell my friends I’m just a gravedigger who wants to open a hair salon. my friends they are made of grief and brilliance. they say they like mirrors that have in them, how do I say this?, a lost theft. I sleep and my sister paints my nails. kisses my head. she is no shape and then a shape that occurs to a horse my son thinks will live.
Lauren Brazeal currently teaches in Dallas. She’s the author of two chapbooks, Zoo for Well-Groomed Eaters (from Dancing Girl Press), and Exuviae (from Horse Less Pess); and her first full-length poetry collection, Gutter, is due from Yes Yes Books in August of 2018. Her individual poems have appeared or are forthcoming in DIAGRAM, Smartish Pace, Verse Daily, Barrelhouse and Forklift, Ohio.
//
~the following poem was first published in Barrelhouse (2016) and nominated for a Best of the Net award.
~~it also appears in Brazeal’s upcoming collection Gutter (Yes Yes Books, 2018)
To Jennifer Love-Hewitt: I Saw You at Fendi Last Week—I Was the Little Mohawked Squatter Punk Panhandler
TRANSMITTED VIA FACSIMILE
RE: Los Angeles County case #24789. Letter was balled up and tied to a padlock, found thrown through the southernmost window at Love-Hewitt estate. Status: Unsolved
Dear Jenny,
If I had real access
to the internet I’d…
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The People’s Elbow
recitatives on rape and wrestling, Rax King
Ursus Americanus Press, 2018
~
I will never not obey the meanness of men. – {from} 11
Even if you’re the wrong person, Rax King’s The People’s Elbow is the right book. It is cerebral, whole, and deeply creative. It is singularly repetitive. If it says things twice, it is to avoid emphasis and engage the future to be more influential. There is no ask in this text and it is not a verse in which one gets lost. Reader, you will need to be yourself. You will need to be fake enough that your reading does not deter you from knowing what’s been written. King makes of person a fifth season. Rips the word from scripted moments and chews it like gum at the feast. Look, clarity has no weakness. And, as such, this is a moral and breezily…
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he takes baths instead of showers
the boy
who believes
in ghosts
no clock
fast
we live
in the house
beside the house
we bought
treaty, grief, moon
some far
tornado
some nakedness
What Bodies Have I Moved
poems, Chelsea Dingman
Madhouse Press, 2018
~
‘…Archangel Michael, Abraham—
young boys again. You ask them about
hunger.’ – {from} Reconstructing the Saints
‘…What if
the next city…is the city where I’ll find my own
ashes?’ – {from} I Imagine How the Man Who built Her Hung Himself
Chelsea Dingman’s What Bodies Have I Moved is a book of foreground and footprint for which you’ll need both hands. In it, people are place, and voice a narrator of excavations undertaken to identify the carrier of the chalk. What alarm does one set for stillness? It is in this interrupted dream of a history, a history that doesn’t repeat itself so much as stutter the unspeakable, that Dingman is able to unearth the out-of-body. The past is childless. The present a map of our preconceived notions of ruin. As in Thaw…
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AT {isacoustic*}
Nicole Melchionda
https://isacoustic.com/2018/05/10/person-nicole-melchionda-four-poems/
Margarita Serafimova
https://isacoustic.com/2018/05/08/person-margarita-serafimova-seven-poems/
Rebecca Ruth Gould
https://isacoustic.com/2018/05/07/person-rebecca-ruth-gould-three-poems/
Rosemarie Dombrowski
https://isacoustic.com/2018/05/07/person-rosemarie-dombrowski-six-poems/
&
reflection on two books by Sophia Naz (Date Palms and Pointillism)
https://isacoustic.com/2018/05/04/date-palms-pointillism-poetry-sophia-naz/
reflection on Marisol Baca’s Tremor
https://isacoustic.com/2018/05/01/tremor-poems-marisol-baca/
reflection on Kristina Marie Darling’s Dark Horse
https://isacoustic.com/2018/04/27/dark-horse-poems-kristina-marie-darling/
/
as such:
editors: Barton Smock and those he happens to be talking with
contact/submit: isacousticsubmissions@gmail.com
site: https://isacoustic.com/
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instagram: https://www.instagram.com/isacousticvol/
paypal donation link: https://www.paypal.me/BartonSmock
or send to bartsmock@gmail.com
*for donations of 5.00 or more, one will receive a privately self-published work of 60 poems by editor Barton Smock called ~mood piece for baby blur~
