the clown while cleaning a paintball gun watches a kite as if kite believes there’s a puppet in a cornfield. this is what I mean and don’t mean by loneliness. I learn smoke by combing knots from my mother’s anthill hair and snake by setting a rope on fire. certain diets will bring the baby back. whose blood is this, whose ball
of yarn (were soft things said about losing teeth
The Ghosts of Lost Animals
poems, Michelle Bonczek Evory
Gunpowder Press, 2019
~
Know, as you read Michelle Bonczek Evory’s The Ghosts of Lost Animals, that a tattoo gives up its bed for touch. And know, after, that a rolling pin moves over a pawprint. These poems are present, are ongoing, and call to account the short life of the summoned before. As a whole, the work seems a travelogue for stillness, a pilgrimage to reclaim misdirection. Absence has always been the ghost’s confessional, and Bonczek Evory makes each body- whether human or non, whether own or other, whether spirit or seedling- a church that place can enter. It is deep, here, in light such as this that weighs our vision. In utterance such as this that speaks shadow to an existence made of cessation. And language has sent word- we may be lost, but we are also followed…
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because a ghost can do what time cannot, a father gets over being ugly. I have a sister who rings a bell and you a mother who swallows a whistle. the order of my love is wrist, wrist, neck. my brother thinks he’ll be crucified for having two left feet. acts like a dog when it rains.
I am seven
maybe eight
and some boys
are counting
the holes
in my shirt
and asking
if I bite
I tell them
what I love
and that I’m studying
the poor (that I can talk
underwater
but it doesn’t
help
there is always
a book
that poverty
pretends
to read (a lake
that hates
my shadow
Knock-Off Monarch
poems, Crystal Stone
Dawn Valley Press, 2018
~
My next poem will sound like someone else.
It will be brave, change someone’s mind
about poverty. – from Promise
~
Bullet points and air quotes. Cocoon and echo. Crystal Stone’s Knock-Off Monarch is an outskirt instructional on how to locally respond to, and spiritually receive, those forms that absentmindedly claim to have our vacancies surrounded. In voice, the work appears as a bruise on the neck of one gargling an invisible blood. In word, the work worries that the half-full cup has slipped its mirror. In both, the bruise disappears because it’s been seen. If mothers and men are given first a mask disguised as a face and third a daycare center overseen by a christlike figure, the speaker here allows death to count aloud its own in the middle of a city that makes no sound well. None of these poems escape protection. Becoming is not retroactive, and how moving it is, this anxious vigil Stone keeps for the second self that is otherhood.
~
book is here:
at the very least, I think god could’ve given loss a tail. I take it anyway
my cut of longing-
say keep my daughter from caterpillar and my son from cigarette.
from each other
both
every bird I take from the ocean becomes a handful of snow
& somewhere the small machine that your father fixed
is on its only leg
/
I listen with my brother for frostbitten thunder
(as sleep makes oven the birthmark of the home
(as god spots crow at the grave of a rooster
/
from
MATERIALS
~~~~~
mothers
while jumping
rope
reminisce
on those
crucifixions
not postponed
by thunder
~~~~~
eating for the child lost by ghost, you are the second of three people who know god’s middle name. oh how I’ve written to avoid reading. to impress death.
a babysitter’s tattoo. the bird-sleep of ache.
~~~~~
in their hermit’s longhand they write of sobriety the unreadable grief and then subconsciously outbid god on the hamster wheel from grasshopper’s dream
~~~~~
years from the event of my body, we pass in the grocery. I tell your children they are attached to nothing, that my arm cast is made of fingernails, that a bruise has a shadow, and that a mouth is where a mouth goes to die. truth has no attention span. it is not my favorite dream. partly this is so because I can remember how with a grey marker I drew on my belly the easier fruits might the identified heal the recognized. (but the kids are ugly and seem to know
~~~~~
one thing leads to another and they call this the past. I don’t sleep because I don’t love god. son I am a barber in the body of a dentist. son loneliness is just a museum of recent prayer. there are crows I haven’t seen.
that other crows have.
~~~~~
we were allowed to keep any item we could draw perfectly. mothers counted cigarettes and fathers died in threes. no one had a sister but all
her hidden talent. on the hand of god, the scissors I lost…
~~~~~
a genetic forgetfulness
in jumpers
of rope
all the turtles
have been touched
~~~~~
ache as a hairstyle. teeth that pray for frostbitten squirrels. a shadow, a circle, their secret
limp
~~~~~
with my body as a thing that existed from the waist-up, I became to swimming what I’d been to lightning and told my brothers that to dream they had to fall asleep before god touched his food. loneliness left its skinny tree and followed my mother into an outhouse where once her sister had counted smoke-rings and where twice they’d sung for their mouths the one about zero the forgotten letter. my father looked at me and I at my son. time waiting to create the sick.
~~~~~
mother, barefoot (i)
fast
reader, the mother-
pink
illness
through a grey
pig
(the belly button
an ash
tray
for angel
~~~~~
mother, barefoot (ii)
crows three times for the owl that taught god to count
~~~~~
the immediate church
of say
pretty,
this snow an over
shadowed
fog, a story
where old
rib-finger,
long struck by lightning
(tries to use
an ashtray
kingsoftrain 