The name of this church was Mouth but is now The Baby Holds Things Up For Us To See. No reason has been given for the change. Ohio disappears from two places at once as a mother might from two hospitals. We will never be as young as death. Even now, our eyes touch under a roof that mourns thunder.
Artist, poet, and freelance writer, J.I. Kleinberg is a Best of the Net and Pushcart nominee. Her found poems have appeared in Diagram, Dusie, Entropy, Otoliths, What Rough Beast, The Tishman Review, and elsewhere. She lives in Bellingham, Washington, where she tears up magazines and posts frequently at thepoetrydepartment.wordpress.com.
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green grass
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change is strength
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to get quiet
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we are the home
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perhaps
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These visual poems are from an ongoing series of collages (1900+) built from phrases created unintentionally through the accident of magazine page design. Each contiguous fragment of text (roughly the equivalent of a poetic line) is entirely removed from its original sense and syntax. The text is not altered (except for the occasional deletion of prefixes, suffixes, or punctuation) and includes no attributable phrases. The lines of each collage are, in most cases, sourced from different magazines.
I quit smoking and bought a fish I was told had stopped eating. No one noticed. I got angry and then got angry for the fish. The fish did nothing. Like God when it snows.
George Salis: Your poetry collection, SomethingAkinTo, recently came out through Dink Press. Why did you choose to leave your individual poems in the collection untitled?
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Adeeba Shahid Talukder is a Pakistani American poet, singer, and translator of Urdu and Persian poetry. She is the author of What Is Not Beautiful (Glass Poetry Press, 2018) and her book Shahr-e-jaanaan: The City of the Beloved, forthcoming through Tupelo Press, is a winner of the Kundiman Poetry Prize. Her poetry has appeared in Poem-A-Day, Gulf Coast, Meridian, The Margins, and elsewhere. A Best of the Net finalist and a Pushcart nominee, Adeeba holds an MFA in Creative Writing from the University of Michigan and is a Poets House 2017 Emerging Poets Fellow.
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To Heaven
Wrap a fence around your dream of white.
Walk a cord thin as a hair.
Splinter the sun, wake all its ashes.
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Plot
Eighteen yards of bleached white
cloth, stiff with starch.
Cafan, zenana
said the plastic in hurried script.
When anyone spoke to her
that day, her responses were…
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Every mother wants a five letter word for grief but has instead a son whose thick hair grows when yanked. Outside means either tick season or John the Baptist. My blood type is God became trapped in an Ohio dog when the color blue saw his ghost.
Survey the demolishing current, then in response feed the muscular fabric of love hand over hand far reach skeins that silk the terrain and therein we don’t get anxious to own each other any longer I just want to drive and talk all night and feel this landscape breathe in my overswell I’m so nostalgic […]
via from Along the Road Everyone Must Travel by Danielle Pafunda — BURNING HOUSE PRESS
Tim Miller’s “Mr Cassian” poems are from a larger collection of poetry and fiction called School of Night. He is online at wordandsilence.com.
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7 poems from School of Night
Mr Cassian Shares the Park with Other Parents
Loneliness is such a sorry disease:
bizarre, badly matched parents at the park
now with their awkward combination here too,
some boy or girl with a room in their house
because neither could stand a studio
alone. Some on-again off-again thing
like me and Mary, not even romance
or the love we imagined as children
but just someone better than more yawning,
some warm breathing presence you’re less tired of
than a house that isn’t even haunted.
All this from some squash-faced guy at the park,
his misshapen wife and their lumpy kid,
and how a certain form of vacuousness
can be let loose like a plague upon the face,
a…
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