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September 13, 2019 / barton smock

from ( diets of the resurrected )

The baby has jumped. The baby is trying to find its place in the home of having done. The baby will land and maybe you can say something over it in that voice you do. In that voice your mother loves more than ruined gender-reveal balloons. Cold prom balloons. Than your father’s spit. Than a star. Horse’s forehead. Than a horse clapping for a lap-dancing horse.

The baby will be dead and bleed like a dream. For now, it licks without you the insides of a tree. Have you read its book? It wrote a book.

When an Ohio rabbit stops eating, every couple not married thinks they are. This is how baby, not how rabbit, happened. How babies not how rabbits. Ohio.

The baby was on a date and began to feel sick. Suddenly, the baby’s date was able to crawl. It crawled into the sea, or something nearby. Something nearby is always the sea. A neighbor girl in a pillowcase. All of her, the whole thing. And then the sea comes that thinks it’s the sea. She is saying we have bones because angels don’t know how to eat.

I love the baby. Apple’s footprint I love the baby. You love the baby and you lord often that you’ve a more alien emptiness. The baby can’t see mirrors. That’s not why it jumped.

Jesus wants to come back, but god isn’t old enough.

September 12, 2019 / barton smock

landmark ache

the skull of a child who can’t swim. whose friends

tried.

a horse for my puppet. a shadow’s first bone. the pill

in the egg in egg’s dream.

forgetful
lightning.

the deer dad resurrects.

September 11, 2019 / barton smock

{ not human enough for the census – poems – Erik Fuhrer }

barton smock's avatarISACOUSTIC*

not human enough for the census
poems, Erik Fuhrer
images, Kimberly Androlowicz
Vegetarian Alcoholic Press, 2019

~

A controlled burning of disparate abandon, Erik Fuhrer’s not human enough for the census deadpans, verbatim, the deepened instant. While the wordplay here is surprising, scary, and clinical, it is never created simply in service of becoming, but is instead sung back to both mouth and bullet hole as an unadorned canticle of detached vesselhood. The spacing of the poems coupled with the permissively decaying imagery makes for an unfamiliarity that describes things that are not the things described and breeds recognition on a land owned by embodiment. This is giddily annihilative stuff. Here is the math I did, during: when three of anything exist, it’s always the first and last that worry over how the middle processes apocalypse. The math I didn’t: whether white noise or fog, your machine better be working…

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September 11, 2019 / barton smock

{ Hard Damage – poems – Aria Aber }

barton smock's avatarISACOUSTIC*

Hard Damage
poems, Aria Aber
University of Nebraska Press, 2019

~

“…every aunt has a son
who fell, or a daughter who hid in rubble
for two years…” – from Funeral In Paris

Of hermetic departure and homeless echo, Aria Aber’s Hard Damage is a work of deep citizenry in which words begin to sound like the words they were made for. Or from. I’m not sure. One moment I’m packing snowglobes in ash and the next I’m losing my footing while listening to a eulogy that distance has written for want. What landmark nostalgia. What shocked intimacy. Aber knows speech hides in the saying. Knows headline is a melancholy click twice removed from identity sorrow. There is no undoing in the doing. Revelation, here, is baked into the bone. If Aber’s imagery renders hypnosis a given, then this language has it go without. Be taken, reader. So covertly enspelled.

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September 11, 2019 / barton smock

afternotes

and here I tell my son, who’s never heard a cricket, how long I believed in god.

September 10, 2019 / barton smock

{ prev, ie }

~

PLAIN ACHE

I write to missing things of knowing what took them. given the chance, what could god describe? I don’t know if what I hear is a sound or sound’s hostage, but it’s enough to make light remember losing a child and with it a boy and with him the fourth wolf he killed in his sleep. we don’t come from love, but we love.

~

HURRIED ACHE

after slamming my fingers in a car door, the hand looks for days as if god has tried to pry a nail from a piece of bread. people kiss me and I tell them my footprints can’t breathe. when a bug hits the windshield, my blood gets a star.

~

CARRIED ACHE

I like to think of my grandmother as always on her way to an obstacle course for invisible children

(as combing her hair in a spiderless wind

~

BONE NOTES

i

sadness slips from the torn muscle of grief

ii.

insomniacs
here
are so
polite
and haircuts
are free

iii.

use cocoon
in a sentence

~

SO YOUNG IS LOSS

reading
to children
who miss
neglect

~

EXILE ACHE

I didn’t lose a tooth, says the child, there’s just one you can’t see. not a single horse has remembered to spy on the devil. that fish went right through me and I dream it back. mom never has a stick. the food in our stomachs dies at different speeds.

_

TRINITY ACHE

not a yesterday goes by I don’t pretend to know everyone. mom has eaten the snail. her father is still being shot.

~

GUIDE ACHE

if I could love them all, they wouldn’t be here. movies make her father angry. he asks her what is always trapped but never surrounded. her heart is an owl with a heart. mirror, she says, but doesn’t. a rain relearns the earth.

~

September 10, 2019 / barton smock

fast ache

not every tooth makes it into the group of teeth I know about. a mother is told by god that her writing appears read. you eat like a bird then eat the bird for saying nothing. I warm a hand on a burning fish. our water seems distracted. by the ghost of what he’s killing.

September 8, 2019 / barton smock

weaponries

(i)

he shot three of us in the stomach for throwing a snowball at his pick-up truck. none of us died completely. by none I mean a priest and a pilot are changing the diaper of an indifferent baby. by scar we mean we held sticks and surrounded the paw

that our god had filled with fog

(ii)

it takes we guess three low-flying helicopters and a herd of wheelchairs to scare jesus away from eating the bomb that we made

for men
only dogs
can hear

(iii)

by stomach I mean both field

and church
are empty
and that whole
meals

reappear in the newborn’s outstanding loneliness

September 7, 2019 / barton smock

{ life.shelf }

barton smock's avatarkingsoftrain

RECENT REFLECTIONS

on not human enough for the census by Erik Fuhrer:
http://isacoustic.com/2019/08/29/not-human-enough-for-the-census-poems-erik-fuhrer/

on Something Akin To by Kaleigh Maeby:
http://isacoustic.com/2019/08/29/something-akin-to-poems-kaleigh-maeby/

on Hijito by Carlos Andrés Gómez:
http://isacoustic.com/2019/08/26/hijito-poems-carlos-andres-gomez/

on : boys by Luke Johnson:
http://isacoustic.com/2019/08/24/boys-poems-luke-johnson/

~

RECENT PLACES

poems at Underfoot Poetry:
https://underfootpoetry.wordpress.com/2018/05/31/barton-smock-7-poems/

three poems at The Collidescope, here:
https://thecollidescope.wordpress.com/2019/07/07/goodbyes-for-exodus/

interview at The Collidescope, here:
https://thecollidescope.wordpress.com/2019/08/11/hungrily-poetic-an-interview-with-barton-smock/

interview at Flyway Journal, here:

Interview with Barton Smock, Author of “Ghost Arson”

~

RECENT PRIVATE PUBLICATIONS, self-published:

MOTHERLINGS, 52 pages, 4.00
poems, June 2019
can be purchased via paypal (bartsmock@gmail.com)
or Venmo @Barton-Smock-1
*be sure to include your mailing address in the comments of the order. any questions can be directed to bartsmock@gmail.com

Animal Masks On the Floor of the Ocean, 114 pages, 10.00
poems, June 2019
can be purchased via paypal (bartsmock@gmail.com)
or Venmo @Barton-Smock-1

~

RECENT POEMS

[years ache]

my children haven’t gone a day without their stomachs. sometimes…

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September 6, 2019 / barton smock

Contributors to Problématique Vol. One