Survey the demolishing current, then in response feed the muscular fabric of love hand over hand far reach skeins that silk the terrain and therein we don’t get anxious to own each other any longer I just want to drive and talk all night and feel this landscape breathe in my overswell I’m so nostalgic […]
via from Along the Road Everyone Must Travel by Danielle Pafunda — BURNING HOUSE PRESS
Tim Miller’s “Mr Cassian” poems are from a larger collection of poetry and fiction called School of Night. He is online at wordandsilence.com.
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7 poems from School of Night
Mr Cassian Shares the Park with Other Parents
Loneliness is such a sorry disease:
bizarre, badly matched parents at the park
now with their awkward combination here too,
some boy or girl with a room in their house
because neither could stand a studio
alone. Some on-again off-again thing
like me and Mary, not even romance
or the love we imagined as children
but just someone better than more yawning,
some warm breathing presence you’re less tired of
than a house that isn’t even haunted.
All this from some squash-faced guy at the park,
his misshapen wife and their lumpy kid,
and how a certain form of vacuousness
can be let loose like a plague upon the face,
a…
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Ohio exits:
Owl is maybe a lamb that’s having non-lamb thoughts like did I forget inventing the bruise?
Robert Okaji is a displaced Texan seeking work in Indianapolis. His work has appeared or is forthcoming in Panoply, Slippery Elm, Indianapolis Review, Vox Populi and elsewhere.
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Self-Portrait with Nine
Nine rivers, nine mountains, nine skies.
The root of the Egyptian word also shapes sunrise and the new moon.
Of fire, of attainment and totality, of truth.
In my ninth year we moved to the Mojave.
After two hands-breadths, the new.
The nine spheres, beyond which nothing lives.
Consider the negative aspect: pain, sadness, suffering. Distress.
Ku does not symbolize near-perfection in Japan.
Nor do I resemble the triad squared.
In the horoscope, the house of worship, of wisdom and books.
A sign of perfection, a final limit.
A number multiplied by nine produces a figure that totals to nine.
The body’s doorways, the twists of the River Styx.
That which contains no stars.
From the custom of expressing…
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Charlotte Hamrick’s poetry, prose, and photography has been published in numerous online and print journals including Foliate Oak, MORIA, Pithead Chapel, and The Rumpus. She is a Pushcart Prize nominee and was a Finalist for the 15th Glass Woman Prize for her Creative Non-Fiction. She is Creative Nonfiction Editor for Barren Magazine and lives in New Orleans with her husband and a menagerie of rescued pets.
-//
Call and Response
After-life is waiting, treading water.
Hovering there beyond the sun as I sit
in my bones and pull blankets over
my head. Church bells count the hours
until there is no more weaving of fine wool
or forging of metal.
Euterpe plays her flute while I hold
my breath in preparation,
water rising,
singing to the crescent moon.
Might I save my grandmother’s letters,
my sister’s photos,
save them
from the muddy river bottom?
I am standing…
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Mark J. Mitchell was born in Chicago and grew up in southern California. His latest poetry collection, Starting from Tu Fu, will be published by Encircle Publications shortly. He is very fond of baseball, Miles Davis, Kafka and Dante. He lives in San Francisco with his wife, the activist and documentarian, Joan Juster where he makes his meager living pointing out pretty things. He has published two novels, three chapbooks, and two full length collections so far. Titles on request. A meager online presence can be found at https://www.facebook.com/MarkJMitchellwriter/
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SHORT TOTENTANZ
Dancing behind, ahead beneath, above,
one Death calls names softly as flower songs.
It’s never personal. He has enough
for all. Mornings still arrive, rosy dawns
show off after you go missing. This proves
less than sad. A music moves you along
where awkward feet slip and one note goes wrong.
He’s always there wherever you move—
that dancer—behind—ahead. You’re…
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I was not in love but I did go all the way to heaven to tell someone I was tired. They were there, of course. But there like a sister. Sweeping a church.

from I, Caustic
by
Mohammed Khaïr-Eddine
hey
such whatsoever-so-much ricocheting from I the martyrized stranglulationist along with the mongrel dog-faced Father
caustically forced out of its immune insect. We gorge ourselves tossing and
turning men and tables Go Fuck You in Your Face Here in this restaurant I strap
on some culottes and spectacles to reinforce my portrayal of lousy exuberance.
We lost no step. We saw so well through the luminosity…The city is gutboil.
Laughter and tears release a tiny bit more crocodile smiling inside a coffee
cup it promises anyone coming across it a new form of teething or quite simply
put the repeal of the articles of law conceived by His Adroit Majesty Awaits us
patiently in the stables where our counterfeit money deploys itself against the
agrarians’ gold virtually a show-off And he? Speaking to… Taunting who? Squashing.
Soiling. Poisoning. Aggravating the other. I’ve killed him…
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