Silence leaves to quiet another gunshot for its garden. I am here to sleep with you on the wasp-carried touch that's become god's mind.
Birth isn't the only way to reach our children.
maker none it doesn't happen often death forgetting its empty lunchbox I was this tall sad
maker last as if something inside the church is loose we don't know but we pass the church and feel that somewhere a shoe is being thrown at a bird the same bird the shoe became this all happens outside the trapped outside
maker last god in hell for heaven to be finished I want too to wait in duplicate fogs with you your boneless typist
Talking itself into and out of the unanswered blue, All My Puny Sorrows guts both the nearby and the distant using the same hunger for recovery as bellied by any lost sister of loss. Alison Pill and Sarah Gadon glow wounded in performances that separately heal, and Mare Winningham keeps detail as something some god has locally misplaced. I was glad for all of its conversations and for its half open way of unburning books, for how Pill baptized the submerged, for how Gadon let others believe they’d invented the headlight, and also for how director Michael McGowan left often the camera alone to become its own silent letter. ... We’re All Going To The World’s Fair has to it an unworried precision that had me thinking I might have forgotten to shut down, in another life, an electric toothbrush. If any pulse is taken, it’s the pulse of separation and director Jane Schoenbrun is songbook tender and secretly protective enough to hum the art of this film into the disconnected wrists of those whose online has no off. Schoenbrun and lead Anna Cobb make of knowing a current terror and no sky here falls that hasn’t been dropped. Cobb, with deadpan abstraction, gives a performance worth of sleep’s eternal jump-scare and works with the film outside of the film to put an end to vice-versa that we might more blankly keep those who are constantly notified away from those who appear by looking at the vanished.
maker 10 I know this poem is old. I know also how many footprints there are on the machine that's looking for your child. I use what I know. The poor can sleep through anything, but don't. We pass only a few things. The mouse still breathing in its trap. At least until the trap is okay.
maker 9 language learns of a second person and god does nothing. Rabbits asking swimmers for permanence
when others say things about the things you've said

SELF-PUBLISHED, etc: rocks have the softest shadows, 237 pages poems, Dec 2020 can be purchased via paypal (bartsmock@gmail.com) or Venmo: @Barton-Smock-2 or CashApp: $BartonSmock untouched in the capital of soon, 187 pages poems, Sept 2021 can be purchased via paypal (bartsmock@gmail.com) or Venmo: @Barton-Smock-2 or CashApp: $BartonSmock blood to bathe us in its blue past, 217 pages poems new and selected, May 2022 can be purchased via paypal (bartsmock@gmail.com) or Venmo: @Barton-Smock-2 or CashApp: $BartonSmock
maker 8 the movie before it gets to the scene where it'll show us how deeply to miss the ghost of a dance floor. Dying
