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March 6, 2024 / barton smock

last ohio machine

The deer is an arsonist with bones of golden weeping. The horse is a worried god with two eyes made of salt. Ohio is the attic where my sister would name mountains after mountains no one knew of. The angel is a mistake, seen twice, like a breast or a footprint. Hell is where we pretend the devil is the oldest thing in hell. I write myself cut. Blood says the age of the blood I was born with.
March 4, 2024 / barton smock

a child falls out of god

No aliens
after all.

Just us
seeing
if we've died.

My son's
laugh
might
be a seizure.

Some say the crow

some
say buzzard.

The exact
bomb

cannot matter.
March 4, 2024 / barton smock

a child falls out of god

I was sad
and had
sad friends.

I made no bread.
Bread was everywhere.

The eating, I called it love.

I called
love

The waiting.

I lost
my drinking
like hair.

Drank in a darkroom
from a floor of milk.
March 3, 2024 / barton smock

FROM simple god exits childhood

I speak the names of my brothers into the book of bitemarks. I have more arms and they more muscles and they more issues with their legs. I am so poor that my work does all the work. My tongue does nothing. It’s not possible to be obsessed with sex. With death. You’re born with a mask that no one saves. Everything makes god sick. Stop being alone.
March 2, 2024 / barton smock

lightning storms

i.

I strike a match and my pillow thinks I'm out of teeth.

ii.

An insomniac's rainbow

and
or Jesus

walking
his dog.

iii.

You can't die
from wetting the bed.
March 1, 2024 / barton smock

excerpts from ‘Wasp, gasp.’ at Anvil Tongue Presswork

Stoked to have some work, excerpts from my book Wasp, gasp. (Incunabula 2023), over at Anvil Tongue today. Thanks to Daniel Garraun, who keeps up with my work sometimes better than I, and all good thoughts to those included in the issue. 
March 1, 2024 / barton smock

Ohio etc machine

In Ohio you can choose the violence you want to see. God is a very long commercial for death. Death gets you nowhere. The slow crawling that my skin fakes keeps my ghost awake. I keep forgetting the future.
February 29, 2024 / barton smock

poems for Genevieve

There's a place I cannot get to.
It exists
and that's

why.

My ears
changed
with each
child.

Selfishly perhaps I wanted to hear
different
bones.

Death, that puzzle.
No pieces.
February 28, 2024 / barton smock

addiction machine

Single-use loneliness.

An arsonist's mother
in her birthday suit
ah goodbye
to the last
of the salt.

White bruises.
February 26, 2024 / barton smock

words toward Suzanne Mercury’s ‘Hive’ (Lily Poetry Review Books, 2023)

HIVE
Suzanne Mercury, poems
Lily Poetry Review Books, 2023

Suzanne Mercury’s Hive feels a firsthand account of something the world began with. How does pain get in? Fly low, sorrow. There is a spell here that knows math to be a lived-in magic. What else is here? The shrinkage of syllables into a hole that stores loss so quickly it somehow shortens longing. It’s a work that seems written in the reading, but also written again and before. There are colors I can’t say out loud. And why? The world is beaten blue and blue. Suzanne Mercury seemingly knows the abyss to be a joke in the void. It stings. Hurt repositions the superimposed. Stillness occupies nothing, but invades movement. Sadness roars. I am sure I am misquoting Franz Wright, but, in spirit, Wright said something similar or something exactly that sounded to me like this: How does anyone do anything? Hive is a sound. A brief, underlying, and futuristic sound, trembled brightly into the unheard now.

~

reflection by Barton Smock