no matter
the hurt
I do not
deepen
there is
one ghost
that pretended
to dream
and in
that dream
we ate
so slowly
that we slowly
invented
sleep
god isn’t
here
to know
we’re here
is your body
terrified
you can be
on tv
moaning
in a bug suit
then attend
the big
bug suit
burning
of the year
things were made
by god
Well you can’t eat it now.
It’s not afraid.
It gets passed around and we are told not to be careful with the grief-mask because if we are careful with the grief-mask the grief-mask will know.
It's possible god is real but has no power here.
I cough blood into my blindfold. Paw after a grape. Eat the rolling loss of mom's eye.
-
I see a face in what your face has done
A frog forgets the size it needs to be
for god
to leave
it alone.
Your silver
absence
lives
on the skin
of white-haired
infants.
They say
over a bomb
good
bomb.
Wind and hair
grow
in the blood
of loneliness.
You can take
it with you
how well
god held onto
being the oldest
thing
we remember.
Sound
loses only
its past.
Sometimes
there is nothing
sudden.
My mouth thinks a baby
has in my body
turned
to salt.
Don’t have kids
you can save.
Sense Violence
Helena Boberg
translated by Johannes Görannson
Black Ocean, 2020
Helena Boberg’s Sense Violence, as translated in the before and after by Johannes Görannson, is a wounded spreading that knows to embed itself in the healing amnesia of sobered yearnings. Its anti-retreat is a two-sided debt that scratches the inner wrist of otherharm while scooping secondhand into the deep lottery of the sensual. There are pinecones in the mirror’s abandoned nest, and handwritings that die on the wall you imagine and that live inside the wall you can’t. Proximity starves distance. If reclaiming is a weakness we overproduce, then this is a return of rich scarcity. A return of the already to the thereness of a permanence mistaken for golden residence. Touch is a verse. Touch a tender anarchy. Touch a seeing that is looking for the looking that male witness has observed to the point of boring the vision. ‘Or the child / inexhaustible / drills into / the world.’ ‘Topple / through a window / let yourself hatch.’ Yes and no, memory. Be the last of our late hurt.
~
reflection by Barton Smock
Lost
lost child
machine
kingsoftrain 