days before comet
I bite my tongue
this close
to a worm
the below is a tentatively titled and finished companion piece to my recent chapbook, infant*cinema (Dink Press, dinkpress.com, April 2016)
infant*cinema can be purchased here: http://www.dinkpress.com/store/infant-cinema-by-barton-smock
shut-eye (in the land of the sacred commoner)
~
poetry and god share the same quick death.
I’m on what you’re on;
the eighth day of the world.
~
it’s all in your head. the newborn we had on a mountaintop. the word it knew from memory. its hand that stuck to everything but the dog our dog ate. the cold our dog died from. the tent we called aquarium. that we filled with diapers. that was never full.
~
existence is the wrong inquiry.
I was destroyed by an angel
for having
taste buds.
/ a pinkness
went on
without me.
~
if touch is all it can manage
the hand is poor.
I am the new face
of baby
doorstep.
when lightning
has emptiness
to burn
feed
the fasting
doll.
~
I am old and nothing brings me joy.
I did
good things
but I
was asked.
drunk
outside
of a dog
shelter
I am likely
to remember
a library
pyros
love.
my uncle
he is probably
still
west of me
able
to open
a bottle
with the mouth
of a living
frog.
~
and what
would forgiveness
do?
my kids were never born. yours
they hide
from the number
of people
god
made.
when dead, I was not
a bird
yet
my mother
asks
what kind.
I can’t tell
by looking
if he’s seen
the future
or seen
the future
again. I strip
when my stomach
hurts.
~
it puts me on my stomach
this grief
you have
for the switched
at death
–
god’s color has returned
–
the male
animals
in the grey
barn
knew
–
first
~
I want to say it is yes yes
puberty’s
painted
egg, the island
clock, the genitalia
of alarm…
I want to say it is orange
like bees
like
not all
the hymns
not all
condoms…
~
he says we are men
not because a raccoon
chased a bone
into the factory
of shadows.
he says it’s me
or the bag
of trash
and gives me
a knife.
he says before I was borned
we took
the same
bullet. he says mouth.
I kick
he says
in my sleep
and it puts
a belly button
on a bird
one
bird.
he says them animals
ain’t so wild
as a dog
in drag
and your mother
is the outside
world.
~
the robot is a virgin.
the baby
it goes
from baby
to baby
with no
message.
–
I want your work to matter.
~
subtitles, ghost
pollen / I sit
facing
my father
he strokes
a large
bumblebee…
~
eating behind the mirror’s back
it was all
hick lore
to me
a scratch
in scar’s
nakedness, a loss
of infancy
awarded
only
to the deaf
who dug up
the ears
of god
for nothing
more
than the sound
of depression
going blind
in the garden
of the hairdresser’s
hair
~
death
my way
of saying
goodbye
to god
–
had you lived
or enjoyed
amnesia…
~
when asked
I say
I see
on the floor
of a mudhut
a sex toy
having
a seizure.
I kiss the feet
you’re the future
of.
~
not
for devouring
the mannequin
but for eating
the seeds, it was
(in a coloring
book
for cigarettes)
beaten
by a baby
a baby
could love
~
I go with dove to high
dives / I am on
the pill
the swimmer’s
pill / for nine
months
I’ve hidden
a rabbit
from no one’s
hormonal
christ
~
it was for healing the hand of the plain hand
that I
was touched / well blood
on a bread
crumb
massage me
a brainwashed
worm / well comb
all you want
the eyesight
of god / swallow
a hair
in the house
birth
built…
–
can’t
this once
a thing
die
in the sanctuary
of its double
~
hell is a book.
she reads it
in a room
that’s alive.
attic or no, I want
to miss
my father.
~
nakedness,
give it time
to recover
~
into something from his childhood
a man
is born. never
far off
what crawls
her way.
~
she reaches into the same hat for the rabbit he’s made disappear.
I sleep and the dark takes me for the bone
lightning
straightens.
~
church of intermission. church of the rolled-away church my fever follows. church of it ain’t a baby until it spits. church of the lawnmower left running. of the space you give the grieving horse. church of you when you die in my sleep. of musical suicides. church of the disinfected high chair. of the false bruise. of how to become a balloon in the church of touch.
~
in the library’s dream, the abortion clinic is no bigger than a fingerprint.
~
this is me
praying
for a photo
of my father’s
last meal.
me
praying
to have
the allergic
reaction
my mother
faked.
for proof
of animal
suicide.
a mirror for my toys. dirt for my brother.
~
and we touch to abridge doom in the bed of a headless man. and we struggle to hear a father verbatim. and we ask in a fierce wind a phone booth to please be a fireplace. and a starfish consoles a handprint.
~
/ I was spotted covering my eyes by a dentist whose childhood had stopped disappearing. how big is your family and who wears the mouth? is it true your dad sold to a city gargoyle a spray-can of piss? that your mom had no baby tired of being born? that their suicides filled a madhouse with cubist maids?
/ year nine: your birthday spider is put on film for biting. your sister takes one look at my brain and remembers what to feed and how to clean a cricket.
/ year eight:
~
my son doesn’t want the circle he’s drawing to touch the circle he’s drawing.
the dog
is a heartbroken
wolf.
~
she checks her teeth in the door glass of the oven.
the egg is dropped
and the owl
stoned.
~
when
did your caterpillar
become
a syringe?
I want to hide the clothes I’m wearing.
something touched
is something
mourned.
~
the woman had the suicidal absence of a man who’d just broken to his body that his blood was not the rooster patience devoured. if I peeled a potato, I did so in egg’s hell.
~
praise headgear, worship eyewear.
adore nostalgia, forgive
memorial’s
constant
vigil.
say god
three times, then
say mirror.
~
this is what you mean, kiddo
what you mean
to a bomb
/ it doesn’t help god
that god
is awake
~
for what
does the torso
pray?
the cocoon is music
to the mannequin’s
ear.
sister
she ain’t
been calm.
~
when grief
was password
and not
codename
when gift
horse
was horse
fly
when baby
little baby
shorthand
went all
stork-porn
(on who)
to remember
god
~
outside the dream, I had written the most heartbreakingly clear poem about brotherhood. inside
was this boy
was discovering
god’s thumb
is never
clean. a boy whose mouth
was never
here. all those I’ve met
I’ve left
alone.
~
asleep in the pickpocket’s bed, the baby is a mirage.
I’m so fat
I’m fat
in the dark. I compose
at my lowest
a crucifixion
story
from the basements
my father
wired.
~
putting the meat
back together
in an unfilled
pool
we yawned
at the same
time / brief
painless
the unmothered
between
~
as overcome as I was to be gifted a hospital gown, I had nothing on the angel whose brain / for visiting the eye / was banished…
we are the dead
we’re here
to return
~
by death I mean nothing was beautiful for a very long time.
that, and when did you know.
father became the man his possession foreshadowed. mom had a purse full of spoons. brother bathed any form quiet enough to make the kitchen sink. I began to believe. I began to hear in the rock
the thorn
it spoke for. over the nest of a bird,
the nothing to eat.
Lulu is offering 20% off and free mail shipping on all print books with coupon code of APRSHIP20
all my self-published books are here: http://www.lulu.com/spotlight/acolyteroad
most recently:
[earth is part earth and there’s a hole in the sound I made you from], 98 pages, published December 2015
for hearing: https://www.youtube.com/watch?v=s3LQBepO1rw
~
[MOON tattoo], 114 pages, published March 2016
for purchase: http://www.lulu.com/shop/barton-smock/moon-tattoo/paperback/product-22621263.html
for hearing: https://www.youtube.com/watch?v=QA5VYqmD79w
~
some poems from my collections:
[aliform]
it is not my job
anymore
to keep
the television
quiet, give
bunny ears
to someone
bleeding
–
take your time, snake, this egg
will return
your belly
~
[malaise]
how far we are
from soup
when mother
burns her tongue
trying
to convince
god
they had
the mime and the mute
the same
childhood.
we love her so much
we use our brains
as often
as baby
spoons.
first base is a landmine.
there’s nothing to say
we weren’t
here.
~
[hound]
take
to the sinking
city
of god’s
jack-in-the-box
a stick
from the wand’s
dream
~
[iota]
if the poor could keep to themselves, they’d have superheroes. hey man, hey beast, them aliens already know what it means to be human. abduction is the fingerprint of loneliness.
–
what I teach my blood is grow up. I put everything I had into ruin. watch as my mother becomes your mother trying to be two people god can use to carry tug-of-war from a fossil.
–
my dream house is language. you say it to my face how there are beheadings that have made a wish. before my son was a giant, he’d somersault. cigarette in mouth he would.
~
[Ohio]
if the unwrapping
of your mother’s
head wound
coincides
with
a tornado
sighting
chances are
you’ve heard
a crop duster
burn
in the dream
of a weary
crow
~
[doctrine]
dropped on its head for saying footprint, the baby begins its work of collecting only those sounds it can scare. its father mothers otherness as one who watches a film to make the world worse. its brother hunchback and sister backstroke are viewed as two stomachs waiting for hunger to dry. because my mouth is empty, I talk all the time.
~
[bring me]
the boy possesses the silence of god.
bring me
the scarecrow’s
parrot.
I have a better word
we can use
to abbreviate
your dying
language
seeing mountain
then moth
gave god
a mouth
[eating the animal back to life], 315 pages, published July 2015
for purchase: http://www.lulu.com/shop/barton-smock/eating-the-animal-back-to-life/paperback/product-22277755.html
for hearing: https://www.youtube.com/watch?v=r5eL2HQQr2c
of which Kazim Ali says:
Speaking of being captivated, when I was in Cleveland’s most exciting new independent bookstore, Guide to Kulchur, I picked up on a whim a few small volumes that appeared to have been published by the author using Lulu. I was so entranced by the seemingly simple but endlessly complex, prickly lyrics that I wrote to the author, Barton Smock, through his blog, kingsoftrain.wordpress.com. He’s been sending me books now and then and his latest, Eating the Animal Back to Life, is just knocking me out. These poems are desperate, tender, wry, alarmed, god-obsessed, and musically driven. Smock is not published by others, he does it all himself and so the only place you can get his books is [here]. All the advanced degrees and publishing credentials in the world can’t get you the unspeakable duende that Smock somehow taps into, poem after poem.
(from: http://www.poetryfoundation.org/harriet/2015/11/pm-reading-list-november-2015/)
~
[Drone & Chickenhouse], 84 pages, published October 2015
for purchase: http://www.lulu.com/shop/barton-smock/drone-chickenhouse/paperback/product-22390933.html
for hearing: https://www.youtube.com/watch?v=gPk-g6KKio8
~
[earth is part earth and there’s a hole in the sound I made you from], 98 pages, published December 2015
for hearing: https://www.youtube.com/watch?v=s3LQBepO1rw
~
[MOON tattoo], 114 pages, published March 2016
for purchase: http://www.lulu.com/shop/barton-smock/moon-tattoo/paperback/product-22621263.html
for hearing: https://www.youtube.com/watch?v=QA5VYqmD79w
~
[infant*cinema], published by Dink Press April 2016, dinkpress.com
reviews:
Barton Smock’s newest book is filled with enigmatic poetry honed to the barest minimum of language, without a scintilla of excess. In one poem and elsewhere, Smock states that he “does not want to be seen as a person,” and the scant information he has shared in various publications and the rare interview certainly reveals little but that he is a father, husband, likes movies, and writes daily. Yet in infant * cinema, poems that first appear as fragmentary and surreal dreams, prayers, visions, or confessions still evoke a completeness that lacks nothing, wants nothing. Smock reveals a world filled with grief, death, suicides, disabling conditions, and a family’s complex relationships across generations. While the poems mention “lonesome objects,” “melancholy,” “numbness,” and “collected sorrows,” Smock’s masterfully minimalist poetry leaves the reader intoxicated by a rush of original details and bleakly exquisite imagery.
~Donna Snyder, author of Poemas ante el Catafalco: Grief and Renewal (Chimbarazu Press), I Am South (Virgogray Press), and The Tongue Has Its Secrets (NeoPoiesis Press)
Infant Cinema can only come from the mind of one writer, Barton Smock. I’ve been following his work for 10 years, and the only thing I’ve come to expect for certain is that I will be transported to a world thick with an atmosphere of vivid imagery, and seemingly juxtaposed and ironic concepts. Infant Cinema is prose that has all those elements, and reads with heightened poetic force.
~Joseph Jengehino, author of Ghost of the Animal (Birds and Bones Press)
for purchase: http://www.dinkpress.com/blog/2016/4/16/barton-smocks-infant-cinema-available-now
for hearing: https://www.youtube.com/watch?v=pxbbGliwhl0
brother peace and brother quiet
dot
the same
neck.
so far, my hands have remembered being hands.
if on a balloon
a face
is drawn
you too
can call
it sister
whose dolls
have biblical
names.
sometimes
you’re awake
and your son
is awake
and neither
of you
believe
in sickness
the raccoon
mask
of sickness…
no god unkissed, no dirt…
and sleep, sleep
is a priest
whose hilljack
blood
favors
the cult
of the noiseless
ant
