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May 23, 2016 / barton smock

stigmas

error

in the story
a father tells
to blood flow

of how
she became
eyesight / sloth

in the maker
of kites

May 23, 2016 / barton smock

summer

i.

the buzzard my brother keeps alive

ii.

the bowl, a clock

the dogs
avoid

iii.

dizziness

that strikes
the struck

May 23, 2016 / barton smock

{face}

25% off all print books today on Lulu with coupon code of PENNY25

my newest self published work is [MOON tattoo], it and others are here:

http://www.lulu.com/spotlight/acolyteroad

~

and, poems:

~

[opening line from a year with mother]

it crawled out of me and knew your birthday

~

[horseface]

you strike me as an invasive listener. I love your body. loving mine doesn’t mean I’m not okay wearing too many clothes. does this make me look alone? like, crucifix-on-the-dashboard alone? my mother fell for my father because he couldn’t find a finger to write with. horror movies lift me from poverty into a long period of healing followed by a jump scare. earlier, before you bled into a corncob, my brain had you as a spider spinning an infant. if it pleases god, I’d like to go somewhere time hasn’t been.

~

[early work]

the babies my father held.

the hell, the world’s
largest.

the parts of the house
that caught fire
in two
moving

vans. the bully

mother poisoned
in the dreamy
media
of religious

thought. the daring

suicide, the doubled
god.

May 23, 2016 / barton smock

omni

show me
a devil
can enjoy
lightning
and I’ll
a worm
an inch
of its life

May 22, 2016 / barton smock

(-)

the night she tried to eat her parents, her brother walked out of his diaper and I told a bone what the body made me do. there was no name yet for the limb you were born behind. no name for what the alien worshiped. landmine

on the moon
we watch
what we are.

May 20, 2016 / barton smock

&

/

a reading from ‘infant*cinema’:

/

a reading from {shuteye in the land of the sacred commoner}- an unpublished companion piece to ‘infant*cinema’:

/

infant*cinema:

http://www.dinkpress.com/store/infant-cinema-by-barton-smock

/

shuteye in the land of the sacred commoner, full piece:

https://kingsoftrain.wordpress.com/2016/05/03/shut-eye/

/

(from) infant*cinema:

god does my mother’s work while father lands a night job as a yard sale cashier. my sister continues to believe her baby is a lightweight. my brother goes from motorcycle to breathing machine and back. dogs pace and cigarettes last. the postman’s darkness moves into a paper doll at which point he asks satan for an airplane. I was here when I got here.

/

May 20, 2016 / barton smock

(-)

I hear
again
of your
death, I do

the rabbit
math

I have a son
passes
for time

crayon
he says
or crown
of thorns…

his language
I try
to watch it

his blood

goes from soap
to mouthwash

a miracle

a miracle’s

mutant
reverie…

stick, stick, bone

for dog, I do
the math

May 20, 2016 / barton smock

{okay with}

20% off all print books on Lulu today with coupon code of SWEETREAD20

my self-published things are here:

http://www.lulu.com/spotlight/acolyteroad

~

some older, some edits, some there:

~

[disburden]

god went from wall to wall unaware he was god disguised as a graffiti artist. renderings of my son on a ventilator adorn the moving city. the homeless are tattoos that remove themselves. I guard the outlying cross and go through the motions again of nailing to it the same madman. my only tool is comfort. in flight, a wasp carries something it’s not.

~

[sequestration]

a person goes dark. night shifts disappear. a lone panic capsizes the anatomically correct. men fill up on mouthwash. men float. women bite their tongues in half before they can say women and children. insomnia becomes more than the over-hyped novelization of insomnia. a boy draws a cutlass in a broom closet and is told he can’t sleep. I begin to want more from a diagnosis. a kite being flown in hell by a son gone pro.

~

[hermit wages]

to a baby’s swing
or to a fine horse
with one
good
ear
or to the weary
haymakers
that are now
my mother’s
unkissable
arms

my father
his head full
of hot soup
but not a minnow
burned
recites
the toy
gospel

as I begin
to take
my intelligence
personally
here among

the floored laundry, the raised unawareness

of the powerless mad

~

[the gentle detail]

in the time it took
his daughter
to soap
her brother’s
cradle cap

the man
was able
to lose
an entire hand.

every now
and now
he corrects me
with a puppet.

there is no place
where nothing should be.

~

[repeat after women and children]

new
to his arms
his anxiety

wrongheaded
toddler
goes

for swim

outside the prison
some tattoos
and some
hunger

and some dog’s
unique
bark

his voodoo doll, its tracking

number

forgiveness?

that thing from your past

~

[instances of man and boy]

you haven’t touched your food.

when jailed
I thought of nothing
but my cell
and I thought of my cell
as heaven
to a crib.

your mother’s dark hair
is hard to swallow.

I am secretly happy
that you’ve taken
an egg

for each day of your life

to a doll
so doll
can sleep.

as your mother, I often follow
a black
ball of yarn

into the lake
of how
you remember.

May 20, 2016 / barton smock

church

the part of a boy
that is most like
a dishrag
from the last
supper

the laundromat
where one
gives birth
to a ball
of sleep
or learns
to somersault

the handicap space
where on
your bike
you breathe…

the flower, the grave, the clown
car’s

driver / her nose

the call
to blood

May 19, 2016 / barton smock

{shell}

 

others:

I dream the ocean is a doll that comes to my knees.

http://www.dinkpress.com/store/infant-cinema-by-barton-smock

~

self:

my son won’t use a spoon as he fears it distracts his food.

/

dropped on its head for saying footprint, the baby begins its work of collecting only those sounds it can scare.

/

http://www.lulu.com/shop/barton-smock/moon-tattoo/paperback/product-22634440.html

~

shell, praise:

I was so entranced by the seemingly simple but endlessly complex, prickly lyrics that I wrote to the author, Barton Smock, through his blog, kingsoftrain.wordpress.com. He’s been sending me books now and then and his latest, Eating the Animal Back to Life, is just knocking me out. These poems are desperate, tender, wry, alarmed, god-obsessed, and musically driven. Smock is not published by others, he does it all himself…

All the advanced degrees and publishing credentials in the world can’t get you the unspeakable duende that Smock somehow taps into, poem after poem.

~ Kazim Ali

Barton D. Smock’s poetry speaks with a complex and implicated simplicity, it speaks a world somewhat surreal and intellectual, but nevertheless imbued with all the complexity of these strange rages of human emotionalism that strike us at inconvenient or strange times…

~ David McLean

The work of Barton Smock, a prolific mid-western poet, modifies the meaning of Christian Wiman’s idea in that it seeks unceasingly for the spaces between those ‘annihilative silence[s]’ that would pursue us, and for the watchful reader opens some door into human experience in a way that is at once intensely personal and detached. Through the manipulation of both common and cerebral language Smock’s poems maintain a dance between the familiar and the unspeakable. They act as a shout to the silences that curl up in experience- offering some view from the inside of that experience, but never in an expected way.

…The themes of family, abuse, poverty, and alienation figure heavily in the book, but to call this confessional poetry seems a bit out of keeping with what is traditionally considered confessional. He speaks of mothers, fathers, sisters, and brothers while also utilizing the first person, but the reader can never be exactly sure who these characters are. They are changeable, and often engaging in nearly surreal activity that might confuse more than enlighten. The key seems to be finding some language to quantify suffering, or some way of qualifying experience out of context – which at moments brings it ever more sharply into sight…

…Smock has found a way to speak for those who don’t perhaps know that they have something important to say; to share. The marginalized child, the grieving mother, the ailing child or sibling- they will all find a voice here, and though it might not be the way they would voice the affliction that rests within them, they are sure to recognize their faces. Whether this is a burden or a blessing remains a judgment to be formed by the individual reader, but I find the poetry in this collection to be full of the intensity of experience in a way that I can’t help but identify and empathize. Something preserved so as not to be forgotten, and perhaps repeated.

~Emma Hall

Barton Smock’s newest book is filled with enigmatic poetry honed to the barest minimum of language, without a scintilla of excess. In one poem and elsewhere, Smock states that he “does not want to be seen as a person,” and the scant information he has shared in various publications and the rare interview certainly reveals little but that he is a father, husband, likes movies, and writes daily. Yet in infant * cinema, poems that first appear as fragmentary and surreal dreams, prayers, visions, or confessions still evoke a completeness that lacks nothing, wants nothing. Smock reveals a world filled with grief, death, suicides, disabling conditions, and a family’s complex relationships across generations. While the poems mention “lonesome objects,” “melancholy,” “numbness,” and “collected sorrows,” Smock’s masterfully minimalist poetry leaves the reader intoxicated by a rush of original details and bleakly exquisite imagery.

~Donna Snyder

Infant Cinema can only come from the mind of one writer, Barton Smock. I’ve been following his work for 10 years, and the only thing I’ve come to expect for certain is that I will be transported to a world thick with an atmosphere of vivid imagery, and seemingly juxtaposed and ironic concepts. Infant Cinema is prose that has all those elements, and reads with heightened poetic force.

~Joseph Jengehino