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August 26, 2016 / barton smock

abysm

the untouchable redness
of certain
rabbits

the sunburnt scar on a fisherman’s arm

August 25, 2016 / barton smock

coeval

her child
cracks
in a lifeboat
egg
after egg, her memory

has
that dream
to which
the hangman
gave
his word

August 25, 2016 / barton smock

circa (xviii)

by the time the robots believe in god, some of us want to be here. Misty keeps ripping her clothes off to make us think she’s cutting herself. I am not in love with her.

my son
his stomach
is a nightmare

Misty says making it hard is like pulling ticks from an owl. Misty says it is up to us to find the woman carrying the statue of her frozen brother.

a. act like a baby, not an indian
b. eat the way eating was born

August 24, 2016 / barton smock

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Last Day…25% off all print books at LULU with coupon code of AUG2016

my self-published works are there, as such:

eating the animal back to life
10.00
315 pages
published July 2015

http://www.lulu.com/shop/barton-smock/eating-the-animal-back-to-life/paperback/product-22277755.html

of which Kazim Ali says:

Speaking of being captivated, when I was in Cleveland’s most exciting new independent bookstore, Guide to Kulchur, I picked up on a whim a few small volumes that appeared to have been published by the author using Lulu. I was so entranced by the seemingly simple but endlessly complex, prickly lyrics that I wrote to the author, Barton Smock, through his blog, kingsoftrain.wordpress.com. He’s been sending me books now and then and his latest, Eating the Animal Back to Life, is just knocking me out. These poems are desperate, tender, wry, alarmed, god-obsessed, and musically driven. Smock is not published by others, he does it all himself and so the only place you can get his books is here. All the advanced degrees and publishing credentials in the world can’t get you the unspeakable duende that Smock somehow taps into, poem after poem.
(from: http://www.poetryfoundation.org/harriet/2015/11/pm-reading-list-november-2015/)

~

Drone
& Chickenhouse
6.00
84 pages
published October 2015

http://www.lulu.com/shop/barton-smock/drone-chickenhouse/paperback/product-22390933.html

~

earth is part earth and there’s a hole in the sound I made you from
9.00
98 pages
published December 2015

http://www.lulu.com/shop/barton-smock/earth-is-part-earth-and-theres-a-hole-in-the-sound-i-made-you-from/paperback/product-22503167.html

~

MOON tattoo
9.00
114 pages
published March 2016

http://www.lulu.com/shop/barton-smock/moon-tattoo/paperback/product-22621263.html

…The result of this type of work is that a poem might seem fractured, when it is not. Smock works with both image and symbol in order to create poems that are iconoclastic, alpha and omega…
as reviewed by Krystal Sierra:
http://krystalsierra.blogspot.com/2016/05/between-language-and-narrative.html?m=1

~

shuteye in the land of the sacred commoner (& other poems)
7.00
114 pages
published June 2016

http://www.lulu.com/shop/barton-smock/shuteye-in-the-land-of-the-sacred-commoner/paperback/product-22744790.html

~

FOUR
12.00
340 pages
published June 2016

~ this is a combined publication of these four collections: earth is part earth and there’s a hole in the sound I made you from / MOON tattoo / infant*cinema / shuteye in the land of the sacred commoner [& other poems] ~

http://www.lulu.com/shop/barton-smock/four/paperback/product-22756947.html

~

depictions of reentry
9.00
146 pages
published August 2016

http://www.lulu.com/shop/barton-smock/depictions-of-reentry/paperback/product-22811652.html

~

otherness:

Barton D. Smock’s poetry speaks with a complex and implicated simplicity, it speaks a world somewhat surreal and intellectual, but nevertheless imbued with all the complexity of these strange rages of human emotionalism that strike us at inconvenient or strange times…

~ David McLean

The work of Barton Smock, a prolific mid-western poet, modifies the meaning of Christian Wiman’s idea in that it seeks unceasingly for the spaces between those ‘annihilative silence[s]’ that would pursue us, and for the watchful reader opens some door into human experience in a way that is at once intensely personal and detached. Through the manipulation of both common and cerebral language Smock’s poems maintain a dance between the familiar and the unspeakable. They act as a shout to the silences that curl up in experience- offering some view from the inside of that experience, but never in an expected way.

…The themes of family, abuse, poverty, and alienation figure heavily in the book, but to call this confessional poetry seems a bit out of keeping with what is traditionally considered confessional. He speaks of mothers, fathers, sisters, and brothers while also utilizing the first person, but the reader can never be exactly sure who these characters are. They are changeable, and often engaging in nearly surreal activity that might confuse more than enlighten. The key seems to be finding some language to quantify suffering, or some way of qualifying experience out of context – which at moments brings it ever more sharply into sight…

…Smock has found a way to speak for those who don’t perhaps know that they have something important to say; to share. The marginalized child, the grieving mother, the ailing child or sibling- they will all find a voice here, and though it might not be the way they would voice the affliction that rests within them, they are sure to recognize their faces. Whether this is a burden or a blessing remains a judgment to be formed by the individual reader, but I find the poetry…to be full of the intensity of experience in a way that I can’t help but identify and empathize. Something preserved so as not to be forgotten, and perhaps repeated.

~ Emma Hall

August 24, 2016 / barton smock

circa (xvii)

in more
than two
nightmares
now
I’ve been
towel dried
by a father
whose baby
was given
a brick
for sounding
/ scrapegoat

this word
at mirror’s
grave

August 23, 2016 / barton smock

circa (xvi)

the water here, brother, is flat. drinkable when it weeps.

what you hear is a mom moving her baby.

god / you can switch
him off
like a bug
in a coffin.

I saw yesterday
your daughter’s
eyesight.

I saw today something using its gums
to open a briefcase
and something else
its teeth
to crack
a beetle.

August 23, 2016 / barton smock

{sig}

25% off all print books on LULU today (thru the 24th) with coupon code of AUG2016

mine are there, including my collection [MOON tattoo], here:

http://www.lulu.com/shop/barton-smock/moon-tattoo/paperback/product-22634440.html

review of MOON tattoo:

http://krystalsierra.blogspot.com/2016/05/between-language-and-narrative.html?m=1#!/2016/05/between-language-and-narrative.html

reading from MOON tattoo:

/

some poems from [MOON tattoo]:

[least]

there I was

lightweight, eyesore

baby satellite
and baby
drum

imagination’s
dull witness

my hair
prematurely
cat-torture
grey

my person
the length
of a sandbox
shovel

teeth
a tooth, a commandment
from the past
lives

of milk

~

[fathers]

to see a stone
as ruin’s
pursuit
of aftermath

one must share
this dream

of arriving
on earth

to pray

~

[emphasis]

the field
where father
sold
from a grounded
helicopter

a fog
machine

to one
whose pregnancy
had not
ended / the field

where brother
found
in a condom
a piece
of chalk / the field

sorta
field

like

with its puppies
and its trash / yeah

there is something to be said
I don’t know what
to echo’s
first

love / the dizzy

spells
of deer

~

[harrower]

it is easier now that I know I was never going to be a better person. if I once called poetry the grieving arm that ends in five short complaints, I am sorry. I watch my son lick the space on the table where he’ll put his cheek. it is not for me to believe he is a sign of warnings to come. the distant memory of his tongue is not mine to betray. I want to kiss you to the sound of god counting footfalls on a mountain path. for one, I have never been completely covered in bruises. also, I was in the spotlight when my mother was asked to describe a sponge. instead, she identified the break in the letter where a father changed pens and childhood as the longing of Eve.

~

[speaks]

a ghost on the sincerity of fear

a sleepwalker
on hibernation

god on faith, acolyte
to wheelchair

a listener to a mime
of the yawn
that tricks
grief

~

[the sensation]

days after rape is celebrated for having

no

anniversary / mom

stops looking
at her feet

~

days before I keep it from my ghost that I am in the wrong

person / dad

tells me that if I concentrate hard enough I can get god’s fingers stuck in a bowling ball

~

[proto]

the boy
there shoving
rocks
up his nose

ask him
how many pills
his father
took
at gunpoint

zero
pills

zero
the number

of clowns
the boy
has seen
give birth, one

god
to a thing
refused

medicine

August 23, 2016 / barton smock

circa (xv)

a smallness
that skips
a brain

a stuffed creature from god’s cage

sickness, the second person to forget my dream

August 20, 2016 / barton smock

apologia

mom in the hospital is asking a half-lost boy if he knows about the band-aid keeping her skull together. the boy is afraid and I get that. her hands are confused or small or both. I give the boy a cigarette but yank it back when I see he’s been here before. could god maybe leave a thing untouched. behind us a mummy with one ear

still visible

is crawling with parents to a place.

August 19, 2016 / barton smock

cicatrix

if touch can end its own pregnancy

if it was
in fact
the strawman’s
earthquake
during which
I gave
as instructed
birth
to what
would repair
lightning

then yes

beware
the wary
dog