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November 13, 2024 / barton smock

responsoria

God is still a child. No one knows how to help. Angels doing deer impressions think about stopping. Your mother and father are alive.
November 13, 2024 / barton smock

snowteeth

A horse and a moth pass through heaven where heaven used to be 

All my friends are quiet
November 7, 2024 / barton smock

consumptions

I dream in longhand. Watch slasher movies to control death. No I will not be doing anything for my mental health. God was the first weapon meant to heal time. We don’t all live here. Blood reads but not with all this blood. Be last, be small. Hide your stomach from emptiness. Check your children for bones. Hairdryer for pills.
November 4, 2024 / barton smock

reflection on Darren C. Demaree’s ‘So Much More’ from Small Harbor Publishing (Nov 2024)

So Much More
Darren C. Demaree
Small Harbor Publishing (Nov 2024)

As it sings re-choired in the collection 'So Much More', Darren C. Demaree’s work is the starstuff of purpose and confrontation. Signs, tattoos, vacated crows. The un-reminded world. A shapeshifting violence that roots us to form. An offering of unrest carried in the body of a deerlike creature that touches nothing with its living while living in a believable church where sleep can be turned on and off by any two of three hooves. Demaree’s verse lets home take us home because there’s a second time to have nothing. No insect is a lost insect. We are not, and were not, long for heaven. There is no earth, but here we are. Our children lovely enough to be terrified.

~~
reflection by Barton Smock
November 4, 2024 / barton smock

reflection on Jai Hamid Bashir’s ‘Desire/Halves’ from Nine Syllables Press (2024)

Desire/Halves
Jai Hamid Bashir
Nine Syllables Press 2024

Carried into recognition by an insufficient believing, I want to sound like I have held things. As for the sound itself, I can’t tell you how to hear. I think Jai Hamid Bashir’s ‘Desire/Halves’ might be a place maps listen to. With mouth as a memory center, Bashir’s verse makes its bones beneath silent orchards reddened by the respoken language of woozy flashlights. The mirror we’re looking at isn’t there and its snapshot memory is a bluesick reminder that despair is a string tied around the bruised finger of one who kneels in the dream just as an eyeball begins to sink through the moon. As such, when reading this work, we are near the body that exhumes image and not far from the brightly bored forms bathed in the local. Leave your eyes where they are. Unplug your angel’s lover into the gaslit déjà vu of touch. I will hold my belonging and I will lose it to this work, this half, gasping after the lyrical apostasies of its long hosanna.

~
reflection by Barton Smock
November 3, 2024 / barton smock

11/3/24 conversation with poet Darren C. Demaree about ‘So Much More’ (due out from Small Harbor Publishing Nov 7th)

Today's conversation with Darren C. Demaree about poetry and about his upcoming collection 'So Much More' due out from Small Harbor Publishing on November 7th was one for the bucket list of rural interiority and the wildlife of solitude as checkboxed by the necessity of my own ask and answer.

Our conversation is available on the youtube channel for the 'I Think I Can't Speak For Everyone Here' reading series HERE.

I had some words for the collection below:

As it sings re-choired in the collection 'So Much More', Darren C. Demaree’s work is the starstuff of purpose and confrontation. Signs, tattoos, vacated crows. The un-reminded world. A shapeshifting violence that roots us to form. An offering of unrest carried in the body of a deerlike creature that touches nothing with its living while living in a believable church where sleep can be turned on and off by any two of three hooves. Demaree’s verse lets home take us home because there’s a second time to have nothing. No insect is a lost insect. We are not, and were not, long for heaven. There is no earth, but here we are. Our children lovely enough to be terrified.

~~

Darren C. Demaree is the author of twenty-one poetry collections, most recently “in defense of the goat as it continues to wander towards the certain doom of the cliff”, (April Gloaming, February 2024). He is the recipient of a Greater Columbus Arts Council Grant, an Ohio Arts Council Individual Excellence Award, the Louise Bogan Award from Trio House Press, and the Nancy Dew Taylor Award from Emrys Journal. He is the Editor-in-Chief of the Best of the Net Anthology and the Managing Editor of Ovenbird Poetry. He is currently working in the Columbus Metropolitan Library system.
November 1, 2024 / barton smock

Sunday, November 3rd, 4pm EST, in conversation with Darren C. Demaree about his upcoming collection, ‘So Much More’, from Small Harbor Publishing

Please join us on Sunday, November 3rd, at 4pm EST for the 'I Think I Can't Speak For Everyone Here' reading series, where we'll be in conversation with Darren C. Demaree about his new upcoming collection 'So Much More' from Small Harbor Publishing.

Email bluejawedsnake@gmail.com for the Zoom link info

I had some words for the collection, as such:

As it sings re-choired in the collection 'So Much More', Darren C. Demaree’s work is the starstuff of purpose and confrontation. Signs, tattoos, vacated crows. The un-reminded world. A shapeshifting violence that roots us to form. An offering of unrest carried in the body of a deerlike creature that touches nothing with its living while living in a believable church where sleep can be turned on and off by any two of three hooves. Demaree’s verse lets home take us home because there’s a second time to have nothing. No insect is a lost insect. We are not, and were not, long for heaven. There is no earth, but here we are. Our children lovely enough to be terrified.

~~

Darren C. Demaree is the author of twenty-one poetry collections, most recently “in defense of the goat as it continues to wander towards the certain doom of the cliff”, (April Gloaming, February 2024). He is the recipient of a Greater Columbus Arts Council Grant, an Ohio Arts Council Individual Excellence Award, the Louise Bogan Award from Trio House Press, and the Nancy Dew Taylor Award from Emrys Journal. He is the Editor-in-Chief of the Best of the Net Anthology and the Managing Editor of Ovenbird Poetry. He is currently working in the Columbus Metropolitan Library system.
October 31, 2024 / barton smock

all salts


I chewed quietly heard my body not need food

A pipe bomb in a neighbor’s garage took so much loneliness from a terrible baby it turned off a security camera and a few kinds of depression

Sober cops drove over a father in Ohio and named a street

Angels taught themselves how to scarecrow worship in an eel’s dream

Eel pretended parent in a ghost drone to spot god
October 31, 2024 / barton smock

( note on publications

Just a note on my privately self-published works. They are physical copies, not PDFs. They are all pay-what-you-want. I use Lulu to self-publish, but don't make the purchase links public because I don't like that Lulu holds your money until it reaches a certain threshold, and then pays out on a three month cycle. When I get an order, I purchase the work myself, hard physical copy, and pay shipping. From there, book should arrive in 2-3 weeks. Have had recent instances where some individuals think they are buying PDFs of my work, which isn't the case.

Listing as such:
untouched in the capital of soon, 187 pages
poems, Sept 2021

blood to bathe us in its blue past, 217 pages
poems new and selected, May 2022

apartures, 125 pages
poems, January 2023

deer as permission to die in ohio, 43 poems
chapbook, April 2023

naked in dog years, 55 pages
April 2024

57
Letters to Ethan Hawke, or I wanted to stop saying god
August 2024

The Crow's Book of Wrists, 193 pages
August 2024

via paypal (bartsmock@gmail.com)
or Venmo @Barton-Smock-2
or CashApp $BartonSmock
or Zelle bartonsmock@yahoo.com

Include shipping details in comments of payment type, etc.
October 30, 2024 / barton smock

son is short for loneliness

Try
in a coffin
to roll
a cigarette