Skip to content
March 16, 2017 / barton smock

entries for autonomy

mom works nights answering the phone for a nameless thing

/ which sister
gets
the strawman, or

a narrator’s
struggle
with pica

/ what example
we set
for sleep

March 16, 2017 / barton smock

hex

it reads and feels nothing. a reminder’s footnote.

memory forgets its hermit father

& painters
go bald.

a mother says little.

each cigarette
has its own
language, this match

the pen
of the afterlife.

give prognosis its non-crying baby.

March 16, 2017 / barton smock

{x}

20% off all print books at Lulu with coupon code of LULU20

my most recent full length self-publication is there, is small, is eclogue and fetish. link below.

{surprise for me a crow} Jan 2017
http://www.lulu.com/shop/barton-smock/surprise-for-me-a-crow/paperback/product-23034353.html

/

poems from ~surprise for me a crow~:

[firearms]

I king my scalp with smoke-damaged eggs. a man is here from the church of predictable witness. each sound is worse than the last.

~

[birdthings]

/ those who’ve boiled mouthwash in a baby’s bottle

/ my ice-fishing father’s crystal ball

/ the leaf
that prays
for hand

~

[figuration]

i.

a lifejacket that small

my answer
is no

ii.

no
has one

eye

iii.

god is coming to touch your foot

~

[minutes with my son]

a harp
is the imaginary
secret
a spider
keeps
in the clockmaker’s
eighth
dream

~

[her faith]

motion detectors
on the loss
of imagination

the dream
aware
of its fame

the toy exile of a lightning storm

the scene

anti
pastoral, deadpan

crow
in mom’s
blue streak

dolls
moved
by what
she ate

~

[the world of names]

a mention
here or there
on the police
blotter, a chicken
scratch
on a giant’s
petition
to condemn
the church, kids
we lose
to birth

~

[showings]

seashell as failure. bread my raincloud.

touching my face in a clueless dream

on sorrow’s
blank
horse.

March 16, 2017 / barton smock

the boy-sleep of his hands

/ a pair of scissors in one room or a gun in two. a thumb war’s lame spider. four rootless prayers drawn on an echo. four awestruck sisters caressing with their ears the undeveloped skull of an infant. melancholy’s condoms. flowers for the arm-wrestler’s inoculated phantom.

March 15, 2017 / barton smock

{looks}

I have a privately self-published chapbook {BASILISK} that I am making available for free from now through the end of March by request only. if interested, one can provide me with a physical mailing address via message here or to bartonsmock@yahoo.com

as my brothers tie me to the world, the mailing of the chapbook will also include a short work by one NC Smock, one of said brothers. it is here:

http://www.lulu.com/shop/noah-smock/what-i-tried-to-tell-you-when-you-started-to-dress-like-me/paperback/product-22998355.html

~

Also, I have in hand 10 copies of the same chapbook that are signed, as well as 4 copies of my Dink Press chapbook [infant*cinema], also signed, that can also be requested in the above manner.

~

the entirety of the BASILISK chapbook is below:

KEENING

(i)

a week ago, sister bled to death on a rocking horse. today is the short memory of our pig farming father and the suicide of the knife-thrower’s surgeon.

(ii)

notes will be notes from when I was alive. all men, amen. oh infant, teacher of spiders. the future of adult bookstores. yes they are dreams and yes they go to church. lose a finger, it becomes a ghost. a paw and the children think maybe their mom is having a mother. I’ll sleep with anyone. doctors each from the birth of my past. animals denied the policing of crow.

(iii)

I wash my own body. put behind me the death of outhouse slapstick. a dog is barking at a tractor. an older dog, wearing sunglasses, lets the baby do whatever. only some of these churches are mine.

(iv)

flashcards for women in labor. predictions for memory. sheep.

the hidden breads of snow.

(v)

history is not a person. these are the kids it tried to name.

(vi)

elevator country. the hangings of nothing pregnant. baby knows a shadow that knows a shadow can tell a map what to do. can get a small library to carry books on men eating men in the right bathroom. baby is here for trying to stay. its tongue came out that way, stuck to its nose. a moral choice on behalf of its mother whose water we drank blind.

(vii)

I was having trouble remembering my dreams so I began to see someone who wasn’t. my demeanor was approachable, he said, but cerebral. he said we were in unfamiliar territory. he asked me if I’d mind looking at some pictures he’d forgotten to draw. jokes of the trade, he said. the first few dreams I think were his and were probably so by design. the two scarecrows, witch-hunt and crucifixion, came soon enough but were paired wrongly as husband and wife. their little klutz.

(viii)

I thought it was a movie about dancing and you thought it was a movie about the devil. our feet were warm. remember the alarm? worlds to which none were added.

(ix)

I imagine it puts a hole in a demon, this combing of underwater things to protect the toenails of painted men. mom is this void the last of its kind?

(x)

this was in my dream. and this. and she was there and she has two kids, a boy and a girl, and a husband, there he his, who’s killed himself. I kept saying, after every thought, behold. went home with a woman who insisted she was born pregnant. slept like a wolf addicted to car alarms. saw the saddest foodfight.

(xi)

the man lives in his car and his children live in a store that’s out of everything. his dog has forgotten how to eat. things are on what any good god would call a collision course. he shows me nude photos he says he can’t look at until he knows for sure that the people in them are somewhere naked. he wants me to work on writing with a sense of place. not me, he says. move grief.

(xii)

I was still new
to the angel
when I reached
gloveless
into the deer
for the baby
god
froze

mom looked for a large moth
to stick
with a fork, brother

made to strangle
a coat

(xiii)

pain had a son whose right hand became the receiver of a jailhouse telephone. whose left remained a seashell. pain’s wife a daughter whose shadow became a puppet when she’d floss.

(xiv)

/ seen shoving a burnt doll into a book return

the nobody
birth
reminds

(xv)

puppets for dental hygiene

god
the animal
on auto
pilot

(xvi)

the overmedicated bear cub

and the jawbone
from snake’s
nightmare

/ driven by flower

this moving
van
of loss

(xvii)

orphaned by imagery,

the vision
comforts
foresight.

writing
is a non
event.

ghost? my one

for boredom’s
three.

(xviii)

I am the least, no

I am

look what they’ve done
to the lightning, dad

to your scarecrows, mom

all the toilets were in the trees
the trees were taller
a flat

bird
how
the fuck, roadkill

was on
the moon

(xix)

a chicken with two heads. a burning bush. a cane only a dog could love. a barber whose hair, nevermind. an arm cast bearing the hangman’s faded autograph. invisible milk

and the nothing you bring to my godless poems.

(xx)

that, or a seven day vigil for the one he destroyed

(xxi)

having one word for my voice, I would read to death from the book death borrowed. my armpits were those of a mannequin thrown from a horse. I gave no birth. I ate what I could of the kidnapper’s dream. upside down fish. crippled fish. boatloads of black sheep

puzzled
by the eclipse.

(xxii)

killing the firstborn is so yesterday. let’s be lonely. maternity leave for clowns. ant farms on airplanes.

(xxiii)

to the man who enters this poem looking for a gun. to the woman whose animals pray. to the giant with a memory like a model airplane. to the boy burying his sister’s bloody nose. to the bottle-fed scarecrow. to the dollmaker on the bridge and to the doll-god of country eggshell. to the possum and to its babies in my brother’s ballcap. to god’s only with god’s disabled. to a shadow’s early work.

~

OVERTURE

curfew, pregnancy, dream-

this plan
to stop
talking

~

SECRET

I occur only to the animal that wants to die

~

BASILISK

angel: I know

my son’s
disease
is lower
than pork, that suicide

means god
has a say
in how
we’re prepared…

also, that above
the lake
in which
my father
sees

a strange
fish
there flies

a burning
bird

~

SCOURING

two birthmarks

one
temporary, one

invisible-

when god
was young

~

CRY SHAPE

it comes up in conversation how his dogs, blowjob and retard, were killed during a bout of baby-proofing. biters both; like mirror their mother. she is only god in that we sent her a son. he says this, and also this: the act of swimming is a creature that comes to my knees. we bring him the raccoon. no raccoon, no moon.

~

PURSE

memory selects its future and trauma stops to eat. we are in the Ohio of dieting apparitions. oh, some cigarette made to last. a buried joystick.
~

MOUSING for RA Washington

history doesn’t repeat itself so much as curse the language it just learned. this is their there. escapist fare for those still fleeing. and I thought my hands were loud. one headset per foster home. shadow envies prayer. prayer has lice and ghost
a bathroom for both dreams.

~

PLANE

as violence
might recall

nothing’s
gospel, I wear

a mask
and poke
your baby’s
eye-

forget beauty, ah

/ the description of a monk in the notebook of a nun

~

EVACUATIONS

the dollhouse needs a second bathroom and those responsible for the film I’m watching have nowhere to hang the astronaut

~

NO MEANING

give death a sign. pumpkin seeds to the weatherman holding his throat. nostalgia a reason to ejaculate. a gas mask to goliath.

~

WIZARDRY & ABUSE

fascinated
by the ear

children
I’ll not

kiss

~

A LETTER, SILENT

a letter, silent

dropped by a word
into window’s
bible

cot, diving board, empty pool. southernmost

search

for earpiece.

medusa

her headless
horseman

~

FLIGHTS

i.

a brother
on the roof
with his raft

and the white mouse
his baby
takes
like a bottle

ii.

the coming
of radar’s
crow, the lights

of illegible
ambulance

~

ABUSE IN THE MUSEUMS OF AFTERTHOUGHT

you’re not small enough to be alone in the world.

old ghost-brain
gets a bike.

~

UNTITLED

“you are the secret watching the private act”
– from Citi, by RA Washington

ruins are for playing tricks on the past and god is the mugshot newborns love. hand is smaller than the hand it knows of. I am here for the nudes of the amateur basilisk. look at me when I exist.

~

COMER

I am looking for the mark on my body that will tell me how near I was to you when I fell asleep. we can’t know where touch has been. the third animal to which I pray

was it always
deaf

~

ARK AND HERD

dreams my dialect coach never had. birth and the boring outcomes of immediacy. oh grief, the first to mourn the fast learner. it’s your story, but you can’t name it resurrection, your spacecraft, without considering the mortality of your audience. I sleep crooked while watching ugliness. I love my brother like a leg but he brings to choir exit music for nomads. what does god think of the future? we carry the virus that killed our ghost.

~

AFTER THE POEM

the point
was to describe
you
to the image.

to go
in sleep
from bear
to bombed
bear.

March 15, 2017 / barton smock

entries for vertigo

let surgery leave something in your mouth.

weigh them as a whole, the clothes of the smallest person who died on your watch. the blindfolds. the dreams of your stick population. down the pill

yet inside
the black
sheep.

March 15, 2017 / barton smock

amity

cigarettes from your dad the impossible shepherd

a longer god

the cats
of a cruel
friend

March 14, 2017 / barton smock

entries for belonging

had a child and began to see people

/ every bandage is a red-haired ghost

March 14, 2017 / barton smock

entries for listen

mirror
to window
we’re moving
away

March 14, 2017 / barton smock

{review for Kelli Allen’s ~Imagine Not Drowning~ C&R Press, 2016}

Imagine Not Drowning
Kelli Allen
(C & R Press, 2016)

available here:

Imagine Not Drowning

~

review by Barton Smock

~

Kelli Allen rescues nothing in her book ~Imagine Not Drowning~. Instead, she makes an acolyte of stillness. There is lightning, here, and there are glyph-obsessed waters. Allen says ‘we keep vigil for signifiers’ (from Ghosting), and it feels final, feels already saved. Why follow? What does a named creature understand? I can tell you Allen makes one feel a name is still being said somewhere in a book signed by its readers. The language in this collection goes where it’s called, some borderless upward, some nest made for mouth. This poet can on one hand etch ‘direction only makes us brave the first time’ (from Bravery, you said, is not what it used to be) while on the other tattooing ‘every night is a lifelong sentence about home’ (from Reformation). These are good hands to be in. As a poet, Allen knows the body as a map without a country. She outlines, yes, but knows one need not be dust and is a lover of those stomachs full of eaten chalk. Her disorientations are precise.

In the poem (We name the totems with every morning), Allen writes ‘…If I dive deep into the ocean / and find a camel, everything I know / will cease to matter’. I was wrong. She rescues that camel.

https://www.kelli-allen.com/