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May 2, 2018 / barton smock

person Darren C. Demaree, three poems

barton smock's avatarISACOUSTIC*

Darren C. Demaree is a writer whose poems have appeared, or are scheduled to appear, in numerous magazines/journals, including Diode, Meridian, New Letters,Diagram, and The Colorado Review.

He is the author of seven poetry collections, most recently ‘A Fire Without Light’ (2017, Nixes Mate Books). His eighth collection ‘Two Towns Over’ was selected as the winner of the Louise Bogan Award by Trio House Press, and is scheduled to be released in March of 2018.

Darren is the Managing Editor of the Best of the Net Anthology and Ovenbird Poetry. He lives with his wife and children in Columbus, Ohio.

~

EMILY AS WE, SPARINGLY

There is a patch of cells
in the back of my mind
that knows the actual
truth of Emily, all of it,
the names, the transfer
into bottles, the names
& the yellow, all that
yellow we code-named
“bird-watching”…

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May 2, 2018 / barton smock

person Kelli Allen, one poem

barton smock's avatarISACOUSTIC*

Kelli Allen has served as Poetry Editor for The Lindenwood Review and she directs River Styx’s Hungry Young Poets Series. Allen teaches in the MFA program at Lindenwood University. Her work has appeared in numerous journals and anthologies in the US and internationally

Her chapbook, Some Animals, won the 2016 Etchings Press Prize. Her chapbook, How We Disappear, won the 2016 Damfino Press award. Her full-length poetry collection, Otherwise, Soft White Ash, arrived from John Gosslee Books (2012) and was nominated for the Pulitzer Prize. Her latest collection, Imagine Not Drowning, was released by C&R Press in January 2017.

http://www.kelli-allen.com

~

Galloping toward the harbor, crown in our pocket

When roots are horses, nothing seeds to fruition.
It is this way with us, too. We pass tasting booths
in Madrid and on the way down, pocket notes
meant for after curtains blunt wide. We leave applesauce

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May 2, 2018 / barton smock

person Agnieszka Mauch, two poems

barton smock's avatarISACOUSTIC*

Agnieszka Mauch hails from Poland. She dabbles in writing, nature photography, and linguistics.

~

FURTHER DISRUPTIONS

Snow’s vibrating
my body is the age of wounds

I once made a girl fall and it was initiation

I should abhor myself
for even daring

I was gradable
I should have one level of me now, I think
I swim like Anne
I can’t
move my arms enough to create a
notion of the sea

it’s the acid that makes us speak up
makes us float

one day
silence will correct me
not exclude me

~

IT’S ALWAYS THE SMALL THINGS

The shadow house is open

all rooms butchered
to the gore
of emptiness

A moon in the pond of the living room
is grinning
it has a face like thistles,
teeth like sightings at 3 am

it feeds me this setup
each time
I am torn apart like some door
to a…

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May 2, 2018 / barton smock

person Leanne Drapeau, three poems

barton smock's avatarISACOUSTIC*

Leanne Drapeau is a high school Language Arts teacher in Hartford, Connecticut. She works with students each year to revise and perfect a social justice oriented curriculum that uses literature to teach both reading and writing skills through the lens of critical literacy. Her poetry has been published in Triggerfish Critical Review and The Good Men Project. She is a 2017 Pushcart Prize nominee.

~

loneliness is a powerful thing, kafka

The pillow has done violence to my face
like a cloud crossing the moon.

Kafka follows me through all
the corridors of my memory

through all the blue rooms
of his blue book.

His ears catch the sunlight
and shine orange, bloodlit

veins like eyelids –
the inside –

like swallowing
a flashlight.

His ears are lanterns
and his eyes are caves
his tongue is a candle

when there are rocks he goes
before me

and when there…

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May 2, 2018 / barton smock

person Jon Cone, four poems

barton smock's avatarISACOUSTIC*

Jon Coneis a writer who lives in Iowa City. His published works include LEAST (Greying Ghost), THE PLESYRE BARGE (Greying Ghost), SITTING  GETTING  UP  SITTING  AGAIN (Standing Guard in a Cornfield Press), FAMILY PORTRAIT WITH TWO DOGS BLEEDING (Phrygian Press), as well he has appeared in several anthologies and numerous journals both online and in print. His collection COLD HOUSE will be published in Toronto, Ontario, Canada in the fall of 2017.

~

YOU ARE NOT LATE, IT IS ONLY THE PRELUDE THAT PLAYS

This subtle theater where affection exists on light breeze, this hill that bends us to the river edged by dogwood where songs once heard are windows open onto long silence. They were lovely: in their off-key purity they put beauty on hold. How you took their diligent notes. What you have will surprise you by marking the measure of what is lost, as the beams…

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May 1, 2018 / barton smock

response musics (iv)

a run on mirrors. lowkey exorcisms.

wheelchair, lamb’s minus
one.

mom and the angel
of last
names. dad

and the snowplow.

dad and the ballet slipper.

yea the shadow
of his yawn.

April 30, 2018 / barton smock

Tremor – poems – Marisol Baca

barton smock's avatarISACOUSTIC*

Tremor
poems, Marisol Baca
Three Mile Harbor Press, 2018

“The first map she makes is on the skin of a cloudy
mushroom.” – {from} Dyad

If with a finger, a carved-out trembling, some bald youth points to a star from the shoulders of the historian moving them both forward, let what remains of repair glow as in the skeletal lambency of Marisol Baca’s Tremor. This is a carrying and lifting work that recovers the smell of an earth no dreaming keeps. That closes the gap between life and raft. Voice here is a bird approaching the inherited ghost feeder and verse a vision that sleeps in two good eyes. Vessel of the overheard and songmaker of the seen, Baca avoids retelling and gives story a place that allows return. Whether late to footstep or early to the husk of sickness, Tremor is a thing that leaves us…

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April 30, 2018 / barton smock

shuteye in the land of the sacred commoner (June 2016)

~
poetry and god share the same quick death.

I’m on what you’re on;
the eighth day of the world.

~
it’s all in your head. the newborn we had on a mountaintop. the word it knew from memory. its hand that stuck to everything but the dog our dog ate. the cold our dog died from. the tent we called aquarium. that we filled with diapers. that was never full.

~
existence is the wrong inquiry.

I was destroyed by an angel

for having
taste buds.

/ a pinkness

went on
without me.

~
if touch is all it can manage

the hand is poor.

I am the new face
of baby
doorstep.

when lightning
has emptiness
to burn

feed
the fasting
doll.

~
I am old and nothing brings me joy.

I did
good things
but I
was asked.

drunk
outside
of a dog
shelter
I am likely
to remember
a library
pyros
love.

my uncle
he is probably
still
west of me
able

to open
a bottle
with the mouth
of a living
frog.

~
and what
would forgiveness
do?

my kids were never born. yours
they hide
from the number
of people
god
made.

when dead, I was not
a bird
yet
my mother
asks
what kind.

I can’t tell
by looking
if he’s seen
the future
or seen
the future
again. I strip

when my stomach
hurts.

~
it puts me on my stomach

this grief
you have
for the switched
at death

–

god’s color has returned

–

the male
animals
in the grey
barn

knew

–

first

~
I want to say it is yes yes

puberty’s
painted
egg, the island

clock, the genitalia

of alarm…

I want to say it is orange

like bees
like
not all

the hymns
not all

condoms…

~
he says we are men
not because a raccoon
chased a bone
into the factory
of shadows.

he says it’s me
or the bag
of trash
and gives me
a knife.

he says before I was borned
we took
the same
bullet. he says mouth.

I kick
he says
in my sleep
and it puts
a belly button
on a bird
one
bird.

he says them animals
ain’t so wild
as a dog
in drag

and your mother
is the outside
world.

~
the robot is a virgin.

the baby
it goes
from baby
to baby
with no
message.

–

I want your work to matter.

~
subtitles, ghost
pollen / I sit

facing
my father

he strokes
a large
bumblebee…

~
eating behind the mirror’s back
it was all
hick lore
to me

a scratch
in scar’s
nakedness, a loss

of infancy
awarded
only
to the deaf
who dug up
the ears
of god
for nothing
more
than the sound

of depression
going blind
in the garden
of the hairdresser’s

hair

~
death
my way
of saying
goodbye
to god

–

had you lived
or enjoyed
amnesia…

~
when asked
I say
I see
on the floor
of a mudhut
a sex toy
having
a seizure.

I kiss the feet
you’re the future
of.

~
not
for devouring
the mannequin
but for eating
the seeds, it was

(in a coloring
book
for cigarettes)

beaten

by a baby
a baby
could love

~
I go with dove to high

dives / I am on

the pill
the swimmer’s
pill / for nine

months
I’ve hidden
a rabbit
from no one’s

hormonal
christ

~
it was for healing the hand of the plain hand
that I
was touched / well blood

on a bread
crumb
massage me
a brainwashed
worm / well comb

all you want
the eyesight
of god / swallow

a hair
in the house
birth
built…

–

can’t
this once
a thing
die
in the sanctuary
of its double

~
hell is a book.

she reads it
in a room
that’s alive.

attic or no, I want
to miss
my father.

~
nakedness,

give it time
to recover

~
into something from his childhood
a man
is born. never

far off
what crawls
her way.

~
she reaches into the same hat for the rabbit he’s made disappear.

I sleep and the dark takes me for the bone

lightning
straightens.

~
church of intermission. church of the rolled-away church my fever follows. church of it ain’t a baby until it spits. church of the lawnmower left running. of the space you give the grieving horse. church of you when you die in my sleep. of musical suicides. church of the disinfected high chair. of the false bruise. of how to become a balloon in the church of touch.

~
in the library’s dream, the abortion clinic is no bigger than a fingerprint.

~
this is me
praying
for a photo
of my father’s
last meal.

me

praying
to have
the allergic
reaction
my mother
faked.

for proof
of animal
suicide.

a mirror for my toys. dirt for my brother.

~
and we touch to abridge doom in the bed of a headless man. and we struggle to hear a father verbatim. and we ask in a fierce wind a phone booth to please be a fireplace. and a starfish consoles a handprint.

~
/ I was spotted covering my eyes by a dentist whose childhood had stopped disappearing. how big is your family and who wears the mouth? is it true your dad sold to a city gargoyle a spray-can of piss? that your mom had no baby tired of being born? that their suicides filled a madhouse with cubist maids?

/ year nine: your birthday spider is put on film for biting. your sister takes one look at my brain and remembers what to feed and how to clean a cricket.

/ year eight:

~
my son doesn’t want the circle he’s drawing to touch the circle he’s drawing.

the dog
is a heartbroken
wolf.

~
she checks her teeth in the door glass of the oven.

the egg is dropped
and the owl
stoned.

~
when
did your caterpillar
become
a syringe?

I want to hide the clothes I’m wearing.

something touched
is something
mourned.

~
the woman had the suicidal absence of a man who’d just broken to his body that his blood was not the rooster patience devoured. if I peeled a potato, I did so in egg’s hell.

~
praise headgear, worship eyewear.

adore nostalgia, forgive

memorial’s
constant
vigil.

say god
three times, then

say mirror.

~
this is what you mean, kiddo

what you mean
to a bomb

/ it doesn’t help god

that god
is awake

~
for what
does the torso
pray?

the cocoon is music
to the mannequin’s
ear.

sister
she ain’t
been calm.

~
when grief
was password
and not
codename

when gift
horse
was horse
fly

when baby
little baby
shorthand
went all
stork-porn

(on who)

to remember
god

~
outside the dream, I had written the most heartbreakingly clear poem about brotherhood. inside

was this boy
was discovering
god’s thumb
is never
clean. a boy whose mouth

was never
here. all those I’ve met

I’ve left
alone.

~
asleep in the pickpocket’s bed, the baby is a mirage.

I’m so fat
I’m fat
in the dark. I compose

at my lowest
a crucifixion
story

from the basements
my father
wired.

~
putting the meat
back together
in an unfilled
pool

we yawned
at the same
time / brief

painless
the unmothered

between

~
as overcome as I was to be gifted a hospital gown, I had nothing on the angel whose brain / for visiting the eye / was banished…

we are the dead
we’re here
to return

~
by death I mean nothing was beautiful for a very long time.

that, and when did you know.

April 30, 2018 / barton smock

{last firsts}

thru April 30th, Lulu is offering 10% off all print books AND free mail shipping (or 50% off ground) with coupon code of BOOKSHIP18

my latest, {everything I touch remembers being my hand} is here:

http://www.lulu.com/shop/barton-smock/everything-i-touch-remembers-being-my-hand/paperback/product-23527319.html

ALSO, if you’d like to support {isacoustic*}, the journal that handless I sort of edit, a donation of five dollars or more will get you a private publication consisting of 60 poems of mine that I am calling as a whole {mood piece for baby blur}

donation can be made, here:

https://www.paypal.me/BartonSmock
or it can be sent to (bartsmock@gmail.com)

be sure to provide a physical address, to include your name, for the send.

You can check out {isacoustic*}, here:

site: https://isacoustic.com/
facebook page: https://www.facebook.com/Isacoustic-192435501303710/
twitter: https://twitter.com/isacousticVOL
instagram: https://www.instagram.com/isacousticvol/

April 30, 2018 / barton smock

untitled

imagine
there exists

in the drowned
shepherd’s
dream journal

a poem

dedicated
to a gun shy
mother
who sings

to sheep