[SOFT FACTS]
we peck
in the darkroom
at the wrist
of a fish
our body language
proofing
the baby’s
dream
*****
body
like some use an alias. fingerprints
manna
for hand.
–
I was dreaming I guess
in the face of brevity
–
of god’s glassrabbit ocean
*****
at a time
unlike this
the father
is all
appetite
the chicken, gone
he points
to its ghost…
–
my mouth
is a church, my clock
a Sunday spider
in a dry
toilet
–
(I’m passionate about my grief)
your shadow
dolled up
in the yard
–
cyborg, minotaur
not once
did I watch
them sleep
*****
I don’t know what she saw
in that jar
but she’s been hours
rubbing
my head
with a balloon…
dad switches out the bag on her head
and slips something in my mouth
while saying
mouse
in the dollhouse
I doze for a moment and see a priest
pretend to fall
from a horse, and a stork
act
as it should
I see myself
a form
forged
by a twin, a reincarnation
that perhaps impressed
my photographer
son
*****
pills
minus the pills
given
by shepherd
*****
the cause of this grief escapes me and I worry can tunnel breathe. the snake in your love letter sounds real. it takes my belly to things
that are also
*****
dream is a boy dressed as his abuser sizing aquariums for the hand of a spider
*****
the first person to use these steps went down these steps. violence is the new past. I see a dove and think god will never know who it was ate his crushed light bulb. I betray my ear. the seashell of the stomach.
*****
I try, but can’t make my bed. mom says maybe I’m grief. after coming back to touch me, she wishes herself a bird.
I hope she eats.
–
then
I had a word for marble that wasn’t marble. both were swallowed.
–
thirst is not the same as forgetting to drink. god talks up his handicapped friend.
*****
what
will I never
see
lost
arachnid, a triangle
drawn
by others-
my legs make me lonely.
dream, put me down.
*****
upon my double
being seen
I am set
to self
destruct
I am no sadder
than twin, no sadder
than dog…
my wrist
is nothing’s
neck
*****
no knife in the dog of absence. not a scratch on wind’s throat. winged things that belong to the tooth in your shoulder. lipstick. the unhummed ribs of your wrist.
*****
night is the sound of my father’s adding machine. of mother narrating the life of a stone. lake is my brother’s action figure learning to swim on a full stomach. lake is a bird going from dream to dream as a mouse. hole is anything I bring home that isn’t my body. home from the city where sisters drink in silence to footnotes of future fictions.
*****
life is a shapelessness to which form describes its pilgrimage
dream a grave dreaming
of a cactus
for nothing’s
crow
*****
shape is a future fashioned from god’s inability to reflect
–
(she thinks her hair came from an egg. she is not alone.)
–
there’s nothing in the food
*****
and there I was, sad
my robot
giving hell
to an elevator
and I was forty-one
and still not there
the day that kid
got beat up
for keeping sadness
close
and I was never the poorest
in any room
is this what being poor means or meant
grief
that we can brush at the fossil
of grief
*****
suicide took the person she was named during.
I am old, here. a klutz abstaining from revelation.
bald as any
lover
of maps.
*****
had he not been all those years
writing a review
for the last book
in the world
my father
would’ve been
a poet
there are only so many crows
one can see
outside a laundromat
for the drowned, scarless hawks
so maternally nudged
into the travelogue
of my staying
*****
angel of the old well
speaks to god
in rabbit, I wish
jack-in-the-box
your films
were longer
*****
I don’t know the name of the animal that slept with god. that ate the pea and left a rib. that moved the angel’s grave. with help.
Kelliand Nicholas Christian are internationally published poets and fiction writers. They currently live in Changchun, China teaching literature and rhetoric. When not working on their next full-length collections, they spend their evenings watching Cutthroat Kitchen with their two cats, Sharkbait and RV Winkle.
~
Even Hutongs have their Minotaur
There are fourteen balls of twine
between your calf and Crete.
A man unrolls each into one
language—exile means never
sleeping. Every night the smith pounds
flesh for silver just before the sun
tucks ash into sea. Misshaped, the old
feet know the story of our ugly labor.
When we ask the monster to bow
his head, it is necessary to consider
that prayer is not without tariff.
What is in him is in us, this difficulty—
amber-cast—preserves the builder’s plans.
Lemon trees planted in the morning
say this way, and by night? Dark ripens
the fruit into a…
View original post 21 more words
Nigerian-based Michael Akuchie lives in Lagos Nigeria. His works have appeared on Barren Magazine, Anti-Heroin Chic, peculiars mag & Vagabond City Lit Mag.
He is Contributing Editor for Barren Magazine.
/
STILL FADING
I crawled out of the moon to hear my heart weep
streaming down the sky, I leave God lonely as a shadow
I can not feel my face through all that light
every muscle inside hides underneath skin
my family hates the wreckage living in the attic
wrapped with unsaid words, the language remains unfriendly
cold air seeps in from the unclosed window
I know it wants me because it starts digging out wounds
unconcerned about invasion, I long for silence
It is never okay to inhale hate
& return home where regret stings most
I estrange this body by backing off from existing
I simply want smoke clouds fussing over me
unseen hands starting…
View original post 93 more words
and when the creatures came back they were all the same size and my son was still sick and I put my ear to my mother’s and asked for the maker of god-painted sound and my son was a hole and I was grief in a gravedigger’s dream and we ate I think apples there
Kristin Garth is a Pushcart & Best of the nominated poet from Pensacola and a sonnet stalker. Her sonnets have stalked magazines like Five: 2: One, Yes, Glass, Anti-Heroin Chic, Occulum, Drunk Monkeys, Luna Luna, TERSE. Journal and many more. Her chapbook Pink Plastic House is available from Maverick Duck Press, and she has another Pensacola Girls from Bone & Ink Press. She has two forthcoming: Shakespeare for Sociopaths (The Hedgehog Poetry Press Jan 2019) and Puritan U (Rhythm & Bones Press March 2019) from She also has a full length upcoming Candy Cigarette from Hedgehog Poetry in April. Follow her on Twitter: (@lolaandjolie), her weekly poetry column The Sonnetarium and her website (kristingarth.com).
.
Silence
is seamless, Victorian nightgown, roof
reproof, no fingers or electric sounds
when it’s affixed, lightless chandeliers, proof
of fealty, microscopic tears. Hound
haunts fears, your plate glass tabletop front lawn,
barks at shadows, windows…
View original post 156 more words
Wale Ayinla writes from the ancient city of Abeokuta in Nigeria . He is a Best of the Net Award nominee, and his recent works appear on Palette Poetry, FLAPPERHOUSE, Connotations Press, The Temz Review, SOBER., and elsewhere. He is @Wale_Ayinla on Twitter. He is the founding editor of Dwarts Magazine.
~*~
a library of misfits
to be honest, this poem isn’t about me / and it is
the apple froth gulped through my lungs / and it is
disorientating how i draw the horse with its chariot /
when i own a story, i consume consent / the air wilts
in between my teeth / and there are dead bodies
as cymbals in the oxygen / i still insist on making
youthfulness a decade earlier / maybe i’d have become
a river inching away from the shoreline / a plenty
of water is death / i pleaded…
View original post 420 more words
a question for loneliness
(pain, slapstick, or the infant’s
love
for god

