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November 21, 2018 / barton smock

{ thnx }

/

i. ISACOUSTIC*

recent work:

Li Xiaohang:
http://isacoustic.com/2018/11/20/person-li-xiaohang-one-poem/

Kelli and Nicholas Christian:
http://isacoustic.com/2018/11/19/persons-kelli-and-nicholas-christian-poem/

recent reflections:

on The Unbnd Verses by Kwame Opoku-Duku:
http://isacoustic.com/2018/11/05/the-unbnd-verses-poems-kwame-opoku-duku/

on Our Earliest Tattoos by Peter Twal:
https://isacoustic.com/2018/09/27/our-earliest-tattoos-poems-peter-twal/

on As If by Anna Meister:
https://isacoustic.com/2018/09/17/as-if-poems-anna-meister/

on Bombing the Thinker by Darren C. Demaree:
https://isacoustic.com/2018/09/01/bombing-the-thinker-poems-darren-c-demaree/

on Gutter by Lauren Brazeal:
https://isacoustic.com/2018/08/28/gutter-poems-lauren-brazeal/

/

ii. GHOST ARSON

Ghost Arson is my first non self-published, full-length collection of poetry (62 pages) and is set for release December 2018 via Kung Fu Treachery Press

book is 15.00

/ pre-orders can be made via paypal to ghostarson@gmail.com or by using link:
PayPal.Me/ghostarson

*be sure to include your address in the notes field
**all copies will be signed

or one can send a check to:

Barton Smock
5155 Hatfield Drive
Columbus, OH 43232

~

if interested in reviewing, please inquire at ghostarson@gmail.com

facebook page:
https://www.facebook.com/ghostarson/

/

November 21, 2018 / barton smock

{ older test (s) }

[SOFT FACTS]

we peck
in the darkroom
at the wrist
of a fish
our body language
proofing
the baby’s
dream

*****

body

like some use an alias. fingerprints

manna
for hand.

I was dreaming I guess
in the face of brevity

of god’s glassrabbit ocean

*****

at a time
unlike this

the father
is all
appetite

the chicken, gone
he points

to its ghost…

my mouth
is a church, my clock
a Sunday spider

in a dry
toilet

(I’m passionate about my grief)

your shadow

dolled up
in the yard

cyborg, minotaur

not once
did I watch
them sleep

*****

I don’t know what she saw
in that jar

but she’s been hours

rubbing
my head
with a balloon…

dad switches out the bag on her head
and slips something in my mouth
while saying
mouse
in the dollhouse

I doze for a moment and see a priest
pretend to fall
from a horse, and a stork

act
as it should

I see myself
a form
forged
by a twin, a reincarnation

that perhaps impressed
my photographer
son

*****

pills
minus the pills
given
by shepherd

*****

the cause of this grief escapes me and I worry can tunnel breathe. the snake in your love letter sounds real. it takes my belly to things

that are also

*****

dream is a boy dressed as his abuser sizing aquariums for the hand of a spider

*****

the first person to use these steps went down these steps. violence is the new past. I see a dove and think god will never know who it was ate his crushed light bulb. I betray my ear. the seashell of the stomach.

*****

I try, but can’t make my bed. mom says maybe I’m grief. after coming back to touch me, she wishes herself a bird.

I hope she eats.

then

I had a word for marble that wasn’t marble. both were swallowed.

thirst is not the same as forgetting to drink. god talks up his handicapped friend.

*****

what
will I never
see

lost
arachnid, a triangle

drawn
by others-

my legs make me lonely.

dream, put me down.

*****

upon my double
being seen
I am set
to self
destruct

I am no sadder
than twin, no sadder
than dog…

my wrist
is nothing’s
neck

*****

no knife in the dog of absence. not a scratch on wind’s throat. winged things that belong to the tooth in your shoulder. lipstick. the unhummed ribs of your wrist.

*****

night is the sound of my father’s adding machine. of mother narrating the life of a stone. lake is my brother’s action figure learning to swim on a full stomach. lake is a bird going from dream to dream as a mouse. hole is anything I bring home that isn’t my body. home from the city where sisters drink in silence to footnotes of future fictions.

*****

life is a shapelessness to which form describes its pilgrimage

dream a grave dreaming
of a cactus
for nothing’s
crow

*****

shape is a future fashioned from god’s inability to reflect

(she thinks her hair came from an egg. she is not alone.)

there’s nothing in the food

*****

and there I was, sad

my robot
giving hell
to an elevator

and I was forty-one
and still not there
the day that kid
got beat up
for keeping sadness
close

and I was never the poorest
in any room

is this what being poor means or meant

grief
that we can brush at the fossil
of grief

*****

suicide took the person she was named during.

I am old, here. a klutz abstaining from revelation.

bald as any
lover
of maps.

*****

had he not been all those years
writing a review
for the last book
in the world
my father
would’ve been
a poet

there are only so many crows
one can see
outside a laundromat
for the drowned, scarless hawks

so maternally nudged
into the travelogue
of my staying

*****

angel of the old well
speaks to god
in rabbit, I wish

jack-in-the-box
your films
were longer

*****

I don’t know the name of the animal that slept with god. that ate the pea and left a rib. that moved the angel’s grave. with help.

November 21, 2018 / barton smock

{ test (s) }

 

November 19, 2018 / barton smock

persons Kelli and Nicholas Christian, poem

barton smock's avatarISACOUSTIC*

Kelliand Nicholas Christian are internationally published poets and fiction writers. They currently live in Changchun, China teaching literature and rhetoric. When not working on their next full-length collections, they spend their evenings watching Cutthroat Kitchen with their two cats, Sharkbait and RV Winkle.

~

Even Hutongs have their Minotaur

There are fourteen balls of twine
between your calf and Crete.
A man unrolls each into one
language—exile means never
sleeping. Every night the smith pounds
flesh for silver just before the sun
tucks ash into sea. Misshaped, the old
feet know the story of our ugly labor.

When we ask the monster to bow
his head, it is necessary to consider
that prayer is not without tariff.
What is in him is in us, this difficulty—
amber-cast—preserves the builder’s plans.
Lemon trees planted in the morning
say this way, and by night? Dark ripens

the fruit into a…

View original post 21 more words

November 19, 2018 / barton smock

person Michael Akuchie, one poem

barton smock's avatarISACOUSTIC*

Nigerian-based Michael Akuchie lives in Lagos Nigeria. His works have appeared on Barren Magazine, Anti-Heroin Chic, peculiars mag & Vagabond City Lit Mag.
He is Contributing Editor for Barren Magazine.

/

STILL FADING

I crawled out of the moon to hear my heart weep

streaming down the sky, I leave God lonely as a shadow

I can not feel my face through all that light

every muscle inside hides underneath skin

my family hates the wreckage living in the attic

wrapped with unsaid words, the language remains unfriendly

cold air seeps in from the unclosed window

I know it wants me because it starts digging out wounds

unconcerned about invasion, I long for silence

It is never okay to inhale hate

& return home where regret stings most

I estrange this body by backing off from existing

I simply want smoke clouds fussing over me

unseen hands starting…

View original post 93 more words

November 18, 2018 / barton smock

blue mind

and when the creatures came back they were all the same size and my son was still sick and I put my ear to my mother’s and asked for the maker of god-painted sound and my son was a hole and I was grief in a gravedigger’s dream and we ate I think apples there

November 17, 2018 / barton smock

person Kristin Garth, two poems

barton smock's avatarISACOUSTIC*

Kristin Garth is a Pushcart & Best of the nominated poet from Pensacola and a sonnet stalker. Her sonnets have stalked magazines like Five: 2: One, Yes, Glass, Anti-Heroin Chic, Occulum, Drunk Monkeys, Luna Luna, TERSE. Journal and many more. Her chapbook Pink Plastic House is available from Maverick Duck Press, and she has another Pensacola Girls from Bone & Ink Press. She has two forthcoming: Shakespeare for Sociopaths (The Hedgehog Poetry Press Jan 2019) and Puritan U (Rhythm & Bones Press March 2019) from She also has a full length upcoming Candy Cigarette from Hedgehog Poetry in April. Follow her on Twitter: (@lolaandjolie), her weekly poetry column The Sonnetarium and her website (kristingarth.com).

.

Silence

is seamless, Victorian nightgown, roof
reproof, no fingers or electric sounds
when it’s affixed, lightless chandeliers, proof
of fealty, microscopic tears. Hound
haunts fears, your plate glass tabletop front lawn,
barks at shadows, windows…

View original post 156 more words

November 17, 2018 / barton smock

person Wale Ayinla, three poems

barton smock's avatarISACOUSTIC*

Wale Ayinla writes from the ancient city of Abeokuta in Nigeria . He is a Best of the Net Award nominee, and his recent works appear on Palette Poetry, FLAPPERHOUSE, Connotations Press, The Temz Review, SOBER., and elsewhere. He is @Wale_Ayinla on Twitter. He is the founding editor of Dwarts Magazine.

~*~

a library of misfits

to be honest, this poem isn’t about me / and it is
the apple froth gulped through my lungs / and it is
disorientating how i draw the horse with its chariot /
when i own a story, i consume consent / the air wilts
in between my teeth / and there are dead bodies
as cymbals in the oxygen / i still insist on making
youthfulness a decade earlier / maybe i’d have become
a river inching away from the shoreline / a plenty
of water is death / i pleaded…

View original post 420 more words

November 16, 2018 / barton smock

{ pre-order announcement: Ghost Arson (poems, Barton Smock, 62 pages, Kung Fu Treachery Press) }

Barton Smock cover 1 copy

 

Ghost Arson is my first full-length collection of poetry (62 pages) and is set for release December 2018 via Kung Fu Treachery Press.

book is 15.00

/ pre-orders can be made via paypal to ghostarson@gmail.com or by using link:
PayPal.Me/ghostarson

*be sure to include your address in the notes field
**free shipping on pre-orders
***all copies will be signed

or one can send a check to:
Barton Smock
5155 Hatfield Drive
Columbus, OH 43232
~

if interested in reviewing, please inquire at ghostarson@gmail.com

facebook page:
https://www.facebook.com/ghostarson/

November 15, 2018 / barton smock

I am not a talker but do touch my face in a crowd

a question for loneliness

(pain, slapstick, or the infant’s

love
for god