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January 16, 2019 / barton smock

sleep

/ the broken hand of my whale-watching mother

// bruise
that plays
god

/// an owl
from the waist
up

January 16, 2019 / barton smock

person Jonathan Dubow, four poems

barton smock's avatarISACOUSTIC*

Jonathan Dubow lives in Carlisle, Pennsylvania. Teaches developmental writing at Shippensburg University and has an MFA from the University of Alabama.

The following poems are from a manuscript called The Book of Esther as a Bear. Other poems from this manuscript have been recently published or are forthcoming in Chattahoochee Review, Grist, Waccamaw, and elsewhere.

~

Things that may be consumed raw

: honey, turmeric, ginger & sauerkraut.

: a lotus, the kaddish, herring, figs & luck.

: good weather, quitsa clams & basil stems.

: apples, peppers, grapeskin, autumn flowers & garlic.

: citron, paw paws, semen & feathers.

: eyelids, the weather’s voice & stubble.

: anticipation, dewberries & centella.

~

Altricial Year

Twelve months come from fire.
Nights with brightness in their hands
scratch a cup shaped hole of time
to confuse and prevent death.

We feed them cheese and give them head,
swallow
and shred…

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January 16, 2019 / barton smock

person Jackie Sherbow, three poems

barton smock's avatarISACOUSTIC*

Jackie Sherbow is a writer and editor living in Queens, NY. Her poems have appeared or are forthcoming in Coffin Bell, Okay Donkey, Moonchild Magazine, Bad Pony, Day One, and elsewhere, and have been part of the Emotive Fruition performance series. She works as an editor for two leading mystery-fiction magazines as well as Newtown Literary, the literary journal dedicated to the borough of Queens.

~*~

The Safety

I wake up from dreaming I’m someone I not. When I wash my face, when I enter the clean air, even when I ride the subway, the difference between me and that woman seems insignificant. Later, the difference seems vast. I Google Amelia Earhart and she looks like someone who helped me, once. I look at one hundred photos of Amelia Earhart, one after another. Google tells me I should also look up other women, like Sacagawea and Helen Keller and…

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January 11, 2019 / barton smock

{ notes from life under bell, 2017 }

(i)

on video my cousin is singing a song she’s learned by heart. she’s maybe four. I don’t know where to begin. this pond behind her, perhaps? that in my memory is the size of a fire pit. or maybe, here, in the darkening sameness of those sentences strung together by cows. or years from now, even, with the word no and her sister’s lookalike being assaulted by an only child in a library of fragile non-fiction. my cousin is singing a song she’s learned by heart. she’s five. a careful six. sound’s fossil. no city half-imagined. no insect obsessed with privacy. time matters to the frog we catch.

~

(ii)

there are days he is the son of muscle memory and funny bone. days his hands are gloves from a small god. poor god, he says, and grows. days he can carry a circle to any clock in the town of hours. days his past can be heard by his siblings- you’re beautiful the way you are. days his blood pushes a bread crumb through his thigh. days his scar is a raft for ear number three. nights his brain / the separation of church and church.

~

(iii)

violence is a dreamer. a boy on a stopped bus is dared to eat a worm. it feels authentic. alas, there is no worm. the devil knows to stay pregnant. word spreads about the girl without a tongue. cricket lover. and then, bulimic, when she won’t sneeze.

~

(iv)

the mother of your hand is smashing spiders with her wrist. we have a high-chair for every creature that eats its own hair. the twins in the attic have switched diapers. skeptics. voices heard by the ghost of my stomach.

~

(v)

it is snowing the first time my daughter drives alone. Ohio is cruel. stillbirth, old four-eyes. you want them to like you. the insects you save.

~

(vi)

a lawnmower starts then dies then is pushed by a noisemaker past fog’s dark church. an unprepared prophet drinks the milk meant for baby eyesore. my sister loses most of her hair putting together a puzzle of her mouth. a bomb is dropped on a bomb.

~

(vii)

the man his shadow and the woman her dream.

their child
its track
of time

~

(viii)

onstage a dog barks at an empty stroller. the mosh pit is weak. last count had three pregnant, three resembling the man who unplugged my father, and two praying for the inner life of a hole. onstage a boy is holding up a kite for another boy to punch. dog’s been tased.

~

(ix)

we put a museum on the moon. I had all my dreams at once. a mouse was wrapped in a washcloth then crushed with the songbook of baby hairless. fire treats grass like fire.

~

(x)

outside the bathroom’s designer absence, our melancholy impressed by symbolism, we form

a line

~

(xi)

tree: the unbathed statue of your screaming

shade: the folder of my clothes

~

(xii)

praying he’ll see again them cows of lake suicide, the handcuffed frog shepherd

prays he’ll see again them cows of lake suicide

~

(xiii)

a body to dry my blood. some god

seeing me
as a person…

how quickly birth gets old.

~

(xiv)

lonelier than creation, I have nothing on trauma. genetically speaking, I don’t think anybody expected us to spend so much time on one idea. this open umbrella. ghost at the keyboard.

~

(xv)

and in the spacecraft where a mother diapers the doll that makes her fat there plays the voice of god asking for a film crew none will miss

~

(xvi)

we wore clothes as an apology for being nearby. a door was a door. a ghost was a ghost and a door. the house was possible. its rooms were not. baby was a body spat from the mouth of any creature dreaming of a bathtub. I got this lifejacket from a scarecrow. said the redheaded tooth fairy.

~

(xvii)

his baby is wailing in its crib for its mother and he mans you up for a cigarette and blows on the baby’s face and somewhere you yourself have stopped crying as you are pulled from a pile of leaves by two people made of smoke

~

(xviii)

for a spine, doll prays to fork.

all kinds
of shapes
miscarry.

~

(xix)

one day my son is dying, the next he is not, and the next he is. day four: prayer is dismissive, but welcome. whose past is how we left it? body is delivered twice. beginning and end. nostalgia and wardrobe. middle eats everything. it snowed and I thought my blood was melting. could be the way you reason that happens for a reason. I was a kid when mouse was a kid. there’s no hope and I hope.

my son’s weight is a cricket on a piano key. it’s more than I can handle that god gave us god.

aside: we don’t come out faking our death, but are born because birth can’t sleep

aside:

I study lullaby
and lullaby
bruise

it takes four juveniles to recruit his thumb. his fist has been called: hitchhiker practicing yoga in a junkyard. I cannot visit the instant ruin that forgiveness creates.

sickness in the young is god’s way of preventing nostalgia from becoming the god I remember

I was beautiful but now I’m ugly. (now) being the most recognizable symbol of the present. this is the silence I speak of. my son says (more ball) and you hear (moon bone). he is very sick. his moon has bones.

the disappearance surrounding said event. a horse belly-up in water’s blood. see telescope. also, cane of the blind ghost. magician, maybe, on a rabbitless moon- oh cure.

oh silence afraid to start a sentence.

in the photograph a fist is cut from, a kneeling family of five is putting to bed

the unremembered
present.

traced, perhaps, for a terrible circle-

today was mostly your hand.

January 10, 2019 / barton smock

{ re: motive }

{WE BROUGHT HOME THE WRONG DYING BABY}

I ain’t been talked to in so long my wife’s kid thinks I have amnesia. ain’t been touched since Ohio’s ramshackle symbolism swallowed up some organ donor’s shadow. I went yesterday to a funeral for a woman’s ear. told people what I was wearing was a bedsheet belonged to the man in the moon. told myself I had this microscope could see a ghost and that I’ve only ever lost an empty house. I don’t know how old I am but I know what year I want it to be. before dying I saw it flash how I should have died. low creature. tugboat.

~~~

father an optometrist inspecting a replica of a totem pole and mother an eel collapsing at the thought of a play performed in a stone.

and there, at the bottom of grief, a cup of dirt with nothing to bury.

~~~

mother is chewing gum like something fell asleep in my mouth. I say dog for both dog and puppy. pray for things I know will happen. a rooster through a windshield. a dried-up toad in a deep footprint.

~~~

mother and father give their word that all narrators are orphans. that blood is a short leash. sometimes, a fence. be, they say, the symbol your god remembers you by. tell your brother to act like a chicken. your stickmen to share a toothache.

~~~

I saw a cigarette with its mouth open. today was hard. hate is amazing.

god will die with his ear on my stomach.

~~~

the darkness has many stomachs and we’ve no one to tell my son he’s lonely.

seller of the disappearing stone, the mouth names everything and is born after eating a blindfold.

~~~

for desperation, boy puts a bird in a hand puppet. here a finger and there a worm, sadness has no family. oh fetus my moth of many colors. oh mosquito that bit an angel. time with my son

in scenario’s territory.

~~~

atavism

(god is someone’s calendar

valley

(a girl with a marble who answers to overdose

pulpit

(rooster ghosted by elevator

subculture

(in my years with the poor, I wrote nothing down

alpenglow

(the scalp will baby its grief

~~~

on muscle detail, the clapping boy from the cult of thunder brings a wheelchair to the last rocking horse known to model swimwear for the few dolls that remain married to the same mask. the boy is weak but maybe he puts two words together. like ghost

and exodus. for the second coming of the handcuffed animal.

~~~

the boy picking flowers for my shadow loves no one. everything I touch remembers being my hand. the world has ended, or started early. god’s heartbeat. sound’s watermark.

~~~

because her son can see the future, she is not yet born. god matters to the discovered.

~~~

overtook no cigarette. surprised no sleep. keyed the car

of a minor
toymaker.

radar is getting possessive.

~~~

for the gone and for the nearly, brother has the same stick.

I call belly
what he calls
eye
what answers
to limb

~~~

to speak
it needs gum
from the invisible
purse.

comes with everything. cries like me.

~~~

she says
three times
the word
brain
to her stomach’s
blue
mirror
and scores
sight’s wardrobe
of rags
in earworm’s
dream

~~~

there’s a comb
in my narrative, a goldfish

coming to
in a beheaded
angel

January 9, 2019 / barton smock

{ re: mote }

SOME OLDER PLACES

~

[animal masks on the floor of the ocean]

mouse, teacup of the missing stork-

owl, lamb of night-

this was god. he was sad and everyone noticed.

~

[lost priest]

I come from a place where a school bus hits a dog and the bus driver barks and all her kids play dead

~

[annihilatives]

as drawn, the boy’s
alien and cow
evoke rescue

dream: a toothless sheepdog is spooning roadkill in a wax museum dedicated to famine

go on, birth
take silence
from a baby

~

[holding the baby]

a deleted voicemail of a boy asking his mom how to prepare a past meal. my handwriting an insect I want the best for. dream and the moth it won’t finish.

~

[god is silent in every language]

mom is driving. mom is washing the spider that closed her mouth. sister has a stick of gum but says she doesn’t. dad is half-asleep and cutting the fingernails of the babies he dropped. there’s a scab on my arm that looks like my brother’s nose. we pass church after church. sound horn for buried bees.

~

January 8, 2019 / barton smock

person Margaret Siu, one poem

barton smock's avatarISACOUSTIC*

Margaret Siu is majoring in Plan II Honors Program at the University of Texas, has a certificate in Mandarin Chinese from the National Taiwan Normal University (國立臺灣師範大學) and a business certificate from Harvard Business School’s HBX program. Siu is the founder and Editor in Chief for international, multimedia publication Apricity Magazine; in addition, she is the recipient of the James F. Parker Poetry Prize. Siu is an avid fan of Naomi Shihab Nye, Mong-Lan, and Lin Manuel Miranda–those who endeavor to narrate their cultures through verse.

~*~

Chariot-tearing (车裂)   [1]

hair– brittle
bones—whittled
by a blade named time, awaiting
a sudden notch
tied tethered taught
by five horse-drawn
coils of cold desires
at the neck and limbs
threatening the curls
of my ribcage, cavities
quake and swallow
the weight of
a long gasp
a breath—so violent and quiet

[1] An ancient Chinese torture method, present during the Warring States…

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January 8, 2019 / barton smock

BLUE MIND \entries/

BLUE MIND \ entries /

and when the creatures came back they were all the same size and my son was still sick and I put my ear to my mother’s and asked for the maker of god-painted sound and my son was a hole and I was grief in a gravedigger’s dream and we ate I think apples there

I miss
learning
of you

does art
lose everything
made visible

by grief

I don’t
on boats
believe
in the devil

poor stone
to have never
been painted
(a child

becomes a place, forgets
being born
there is

(a second lookalike (angels

are ugly & some
know the sex
of your ghost (how birdly

of her
to un
the alone
in the jesus

of her legless
(light

when little
of one is left
one
is born

my son’s
look
is not
far off

(fish
they struggle
in the water’s
hair

between hearing thunder and seeing deer, the dying woman tells a story in a language she’s never spoken. I swear to use smaller words. ill, far. farm. in each of us, perhaps, is the lost faith of god. the bread of our anthill’s home.

hungry for kindness, each of us pretends to see the other’s hallucinations. I admire the backstroke of your perfect scarecrow and you the focus of my choking owl. when we see the same thing, be it mouse or frog, we chew to keep our hearing in place. to have you as a brother is to be alone. our father makes robots for our mother to mourn while our sister opens an eye in the blindfold’s mouth. rocks have the softest shadows. before I saw god, I saw god’s ear.

a toy, brief and doomed. cat sadness. oh there are days the kids say nothing beautiful. soon is a painting but when. of a ballerina leaving Ohio for a gas can. of god giving death

a blank puzzle. of how to dress if I’m ugly.

which
angel’s elbow
is
the mouth, oh body

you are a life’s
work
in one
language (when mom

says

mom says

(a clock to a bruise was a star

we had beautiful conversations but the earth was dying.

you remember god and I

god wanting
a child.

mother with her skin condition was at the chalkboard.
so alone / as to be / inherited

(we thought
in poems…

a doll
we said
a doll

pretending to miss its empty
bar
of soap. (I was

unpray
to your

longlessness. art was the clock of the poor.

it is god until it hears its parents fight.

what her brain does to language could fill a tail with the dreams of a snake
some of which

are

my sleep
is my blood.

touch is the music of hell
said we

(sang mom

I lost my voice believing in ghosts and before that

spoonfed my brother until he tied me to a chair. this was the beginning of wanting my kids to play dead in front of the nothing my eyes could do. one sockless and one sick. not forever.

January 7, 2019 / barton smock

{twenty three separations for unlikeness}

barton smock's avatarkingsoftrain

SEPARATIONS FOR UNLIKENESS / entries 1 thru 23

~~~~~

god bless the hypnotist who takes up smoking when it goes uncured (my transformative stutter…

god bless the breathing machine, the fog…

the donkey so beaten it recalls itself as a whale’s untouchable nose…

and god bless god for my short life as a father, for my son who says, meaning eyelash (cyclops…

~~~~~

it’s not my imagination that I’m the only foreigner my body recalls, but is that god can change with my stomach the shape of his tears

~~~~~

waiting for her cigarettes to dry, mother starts a bath and says above them that it’s not like any of you are becoming a rib. death, short a person, continues to eat the language god hasn’t. trauma makes a compass of time and place

and brother is not yet the sitting creature of a thoughtless life. I am not there…

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January 7, 2019 / barton smock

{ reviews, current, Ghost Arson }

barton smock's avatarkingsoftrain

reviews for Ghost Arson:

review by Dd. Spungin

Experiencing Barton Smock’s poetry is similar to living in a foreign country long enough to begin to understand the language.

Smock’s language is always intriguing, often foreign, more often brilliant in its ability to put images and concepts in the reader’s unsuspecting mind.

Certain poems/passages all but announce their meanings, as this from Gameshow Fatalities:

“see one of my children worrying less about suicide
and more about where it should happen. see: tub. see: easier
for a mother to clean.”

And some slide an idea into your consciousness such as this from Untitled:

“eternity
is a doll
reading
a menu, memorizing
a license plate
and doll
the first
eating disorder
in space”

Smock can shock, as well. Here, from Gestural Transportation, this standout stanza:

“the bread crumbs were eaten not by birds but by a
starving boy with a lost voice…

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