/ the broken hand of my whale-watching mother
// bruise
that plays
god
/// an owl
from the waist
up
Jonathan Dubow lives in Carlisle, Pennsylvania. Teaches developmental writing at Shippensburg University and has an MFA from the University of Alabama.
The following poems are from a manuscript called The Book of Esther as a Bear. Other poems from this manuscript have been recently published or are forthcoming in Chattahoochee Review, Grist, Waccamaw, and elsewhere.
~
Things that may be consumed raw
: honey, turmeric, ginger & sauerkraut.
: a lotus, the kaddish, herring, figs & luck.
: good weather, quitsa clams & basil stems.
: apples, peppers, grapeskin, autumn flowers & garlic.
: citron, paw paws, semen & feathers.
: eyelids, the weather’s voice & stubble.
: anticipation, dewberries & centella.
~
Altricial Year
Twelve months come from fire.
Nights with brightness in their hands
scratch a cup shaped hole of time
to confuse and prevent death.
We feed them cheese and give them head,
swallow
and shred…
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Jackie Sherbow is a writer and editor living in Queens, NY. Her poems have appeared or are forthcoming in Coffin Bell, Okay Donkey, Moonchild Magazine, Bad Pony, Day One, and elsewhere, and have been part of the Emotive Fruition performance series. She works as an editor for two leading mystery-fiction magazines as well as Newtown Literary, the literary journal dedicated to the borough of Queens.
~*~
The Safety
I wake up from dreaming I’m someone I not. When I wash my face, when I enter the clean air, even when I ride the subway, the difference between me and that woman seems insignificant. Later, the difference seems vast. I Google Amelia Earhart and she looks like someone who helped me, once. I look at one hundred photos of Amelia Earhart, one after another. Google tells me I should also look up other women, like Sacagawea and Helen Keller and…
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{WE BROUGHT HOME THE WRONG DYING BABY}
I ain’t been talked to in so long my wife’s kid thinks I have amnesia. ain’t been touched since Ohio’s ramshackle symbolism swallowed up some organ donor’s shadow. I went yesterday to a funeral for a woman’s ear. told people what I was wearing was a bedsheet belonged to the man in the moon. told myself I had this microscope could see a ghost and that I’ve only ever lost an empty house. I don’t know how old I am but I know what year I want it to be. before dying I saw it flash how I should have died. low creature. tugboat.
~~~
father an optometrist inspecting a replica of a totem pole and mother an eel collapsing at the thought of a play performed in a stone.
and there, at the bottom of grief, a cup of dirt with nothing to bury.
~~~
mother is chewing gum like something fell asleep in my mouth. I say dog for both dog and puppy. pray for things I know will happen. a rooster through a windshield. a dried-up toad in a deep footprint.
~~~
mother and father give their word that all narrators are orphans. that blood is a short leash. sometimes, a fence. be, they say, the symbol your god remembers you by. tell your brother to act like a chicken. your stickmen to share a toothache.
~~~
I saw a cigarette with its mouth open. today was hard. hate is amazing.
god will die with his ear on my stomach.
~~~
the darkness has many stomachs and we’ve no one to tell my son he’s lonely.
seller of the disappearing stone, the mouth names everything and is born after eating a blindfold.
~~~
for desperation, boy puts a bird in a hand puppet. here a finger and there a worm, sadness has no family. oh fetus my moth of many colors. oh mosquito that bit an angel. time with my son
in scenario’s territory.
~~~
atavism
(god is someone’s calendar
–
valley
(a girl with a marble who answers to overdose
–
pulpit
(rooster ghosted by elevator
–
subculture
(in my years with the poor, I wrote nothing down
–
alpenglow
(the scalp will baby its grief
~~~
on muscle detail, the clapping boy from the cult of thunder brings a wheelchair to the last rocking horse known to model swimwear for the few dolls that remain married to the same mask. the boy is weak but maybe he puts two words together. like ghost
and exodus. for the second coming of the handcuffed animal.
~~~
the boy picking flowers for my shadow loves no one. everything I touch remembers being my hand. the world has ended, or started early. god’s heartbeat. sound’s watermark.
~~~
because her son can see the future, she is not yet born. god matters to the discovered.
~~~
overtook no cigarette. surprised no sleep. keyed the car
of a minor
toymaker.
radar is getting possessive.
~~~
for the gone and for the nearly, brother has the same stick.
I call belly
what he calls
eye
what answers
to limb
~~~
to speak
it needs gum
from the invisible
purse.
comes with everything. cries like me.
~~~
she says
three times
the word
brain
to her stomach’s
blue
mirror
and scores
sight’s wardrobe
of rags
in earworm’s
dream
~~~
there’s a comb
in my narrative, a goldfish
coming to
in a beheaded
angel
SOME OLDER PLACES
~
[animal masks on the floor of the ocean]
mouse, teacup of the missing stork-
owl, lamb of night-
this was god. he was sad and everyone noticed.
~
[lost priest]
I come from a place where a school bus hits a dog and the bus driver barks and all her kids play dead
~
[annihilatives]
as drawn, the boy’s
alien and cow
evoke rescue
dream: a toothless sheepdog is spooning roadkill in a wax museum dedicated to famine
go on, birth
take silence
from a baby
~
[holding the baby]
a deleted voicemail of a boy asking his mom how to prepare a past meal. my handwriting an insect I want the best for. dream and the moth it won’t finish.
~
[god is silent in every language]
mom is driving. mom is washing the spider that closed her mouth. sister has a stick of gum but says she doesn’t. dad is half-asleep and cutting the fingernails of the babies he dropped. there’s a scab on my arm that looks like my brother’s nose. we pass church after church. sound horn for buried bees.
~
Margaret Siu is majoring in Plan II Honors Program at the University of Texas, has a certificate in Mandarin Chinese from the National Taiwan Normal University (國立臺灣師範大學) and a business certificate from Harvard Business School’s HBX program. Siu is the founder and Editor in Chief for international, multimedia publication Apricity Magazine; in addition, she is the recipient of the James F. Parker Poetry Prize. Siu is an avid fan of Naomi Shihab Nye, Mong-Lan, and Lin Manuel Miranda–those who endeavor to narrate their cultures through verse.
~*~
Chariot-tearing (车裂) [1]
hair– brittle
bones—whittled
by a blade named time, awaiting
a sudden notch
tied tethered taught
by five horse-drawn
coils of cold desires
at the neck and limbs
threatening the curls
of my ribcage, cavities
quake and swallow
the weight of
a long gasp
a breath—so violent and quiet
[1] An ancient Chinese torture method, present during the Warring States…
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SEPARATIONS FOR UNLIKENESS / entries 1 thru 23
~~~~~
god bless the hypnotist who takes up smoking when it goes uncured (my transformative stutter…
god bless the breathing machine, the fog…
the donkey so beaten it recalls itself as a whale’s untouchable nose…
and god bless god for my short life as a father, for my son who says, meaning eyelash (cyclops…
~~~~~
it’s not my imagination that I’m the only foreigner my body recalls, but is that god can change with my stomach the shape of his tears
~~~~~
waiting for her cigarettes to dry, mother starts a bath and says above them that it’s not like any of you are becoming a rib. death, short a person, continues to eat the language god hasn’t. trauma makes a compass of time and place
and brother is not yet the sitting creature of a thoughtless life. I am not there…
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reviews for Ghost Arson:
review by Dd. Spungin
Experiencing Barton Smock’s poetry is similar to living in a foreign country long enough to begin to understand the language.
Smock’s language is always intriguing, often foreign, more often brilliant in its ability to put images and concepts in the reader’s unsuspecting mind.
Certain poems/passages all but announce their meanings, as this from Gameshow Fatalities:
“see one of my children worrying less about suicide
and more about where it should happen. see: tub. see: easier
for a mother to clean.”
And some slide an idea into your consciousness such as this from Untitled:
“eternity
is a doll
reading
a menu, memorizing
a license plate
and doll
the first
eating disorder
in space”
Smock can shock, as well. Here, from Gestural Transportation, this standout stanza:
“the bread crumbs were eaten not by birds but by a
starving boy with a lost voice…
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