I wait in the outhouse to hear the ghost of my brother speak.
time
to him
is grief gets a puppy, spider
a tail
(in the story of the fish
that wanted
to pray
i.
it isn’t perfect
your mom’s
impression
of my mom
dying (but god
is a mask
and the nose
is broken
ii.
counting squirrels
to make
for dad
a whale
The Virginia State Colony for Epileptics and Feebleminded
poems, Molly McCully Brown
Persea Books, 2017
~
As a child, I worried that if those around me lived longer and longer, and that if those I didn’t know remained healthy, then the ghosts I so badly wanted to see would get lonely. Or, as a child, I worried about ghosts. I mention this, here, as I’ve recently read Molly McCully Brown’s The Virginia State Colony for Epileptics and Feebleminded, a firsthand recreation that doubles origin, and any actual age seems now an exit for distance. These poems, patient and unsparing, do not give voice to, nor take voice from, but instead listen so accurately as to safely carry sound in its ear-shaped cradle from the ruins of its temporary past while opening for touch its unreachable window. Thankful and serious, this narrative drowning, this new air, is an act of…
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Ohio deaths
~
(i)
every stick I throw
a ghost
of my grandfather’s
wand—
I don’t throw many
it is not a sight
to see
not some cow nudging awake the weakest deer
not pipe tobacco, not smoke, not that spider
from an injured
fog
not a small child
a dog even
trying to use
a spoon
~
(ii)
god’s been gone nine months and all this talk he’s done of being stabbed in a dollhouse struggles to fill a baby
(do animals have songs
do they know
to miss
missing (leave the bragging
to grief
~
(iii)
handstands and loneliness- what infantile reactions we have to existence. I want to eat
but how will they know there was nothing here (this finger
once a rib in the back of your throat
~
(iv)
my son knows his birds by the hands he draws for them. anatomy is perhaps what you make it. grey bruise, blue tongue…
this dream goes nowhere. hell, these chickens
(as if their god was struck by a ghost
~
(v)
this body was never a child
(& birth a spoon
bent to the little
I long
~
(vi)
father cuts my hair as something gentle he can do underwater. he’s broken the bowl that caught his mother’s mouth. we have our mirrors and you your nets. I am the last of his one-eared boys.
~
(vii)
his cigarette going bald, father prepares his food while we touch ours. god swims long enough to miss wind. if there are two babies in the same room, they switch cribs but not teeth. god is a time-traveler selling nostalgia. I can never remember which of mother’s ears is insect and which is litmus. it’s always the second meal
comes from heaven
~
(viii)
I want to be loved so badly that I promise your raccoon the sea. dying means:
my boy falls asleep drinking from a toy boat. god has no friends but even better
my mother has one was born
without a birthday. can an angel
do this? says ghost.
(grief is a thing taught to breathe by its stomach
~
(ix)
it’s dark and all of us are in the wrong stone.
the floor is clean where I learned my shapes.
~
(x)
I cut the pills
sometimes
in advance. (love
that no matter
the day, there are three
god spent
with his son
~
(xi)
(between
online
searches
for tire
swing (mother
sells chalk
to a ghost
~
(xii)
I didn’t miss god or think I was ugly. had mud enough
to make
from memory
the scarecrow’s
stomach. I ate my brothers
they ate
me back. any loss
became a hole
in a snake, any needle
a worshiped
feather…
~
(xiii)
think of wind as a thing that’s mastered its nothingness.
cradle
the unfinished.
yes think, then cradle.
hands shape their own leaving.
~
recent reflections at {isacoustic*}
.
on Molly McCully Brown’s The Virginia State Colony for Epileptics and Feebleminded:
.
on Emily Paige Wilson’s I’ll Build Us a Home:
http://isacoustic.com/2019/03/02/ill-build-us-a-home-poems-emily-paige-wilson/
.
on Susannah Nevison’s Lethal Theater:
http://isacoustic.com/2019/02/13/lethal-theater-poems-susannah-nevison/
.
on Katherine Osborne’s Descansos:
http://isacoustic.com/2019/01/02/descansos-poems-katherine-osborne/
.
think of wind as a thing that’s mastered its nothingness.
cradle
the unfinished.
yes think, then cradle.
hands shape their own leaving.
sheep because sheep looks as if it’s waiting for an angel to have a thought and sheep because the saying of sheep guides the mouth into silence and sheep because if you close one eye in church
the circle my son draws looks like a fish
and circle because I made for it a church and church because he once saw a rabbit that wasn’t and a stomach that was and the two of you
we could not lift


