think of wind as a thing that’s mastered its nothingness.
cradle
the unfinished.
yes think, then cradle.
hands shape their own leaving.
sheep because sheep looks as if it’s waiting for an angel to have a thought and sheep because the saying of sheep guides the mouth into silence and sheep because if you close one eye in church
the circle my son draws looks like a fish
and circle because I made for it a church and church because he once saw a rabbit that wasn’t and a stomach that was and the two of you
we could not lift
~
DOG MUSICS
i.
brother
while slicing
an apple
changes
his name
to earshot
ii.
an orange eats everything
but its mask. there was no ocean
iii.
until we hid from the storm. ticks are crickets
iv.
that belong to the poor
~
MILK MUSICS
newborn
with back pain.
(the cigarette that takes the pulse of our ghost)
it is raining
on the feet of god
~
THE BEAR
flyless wall. box of baby clothes
in an empty dream
~
SHE MUSICS
saddest
when peeling
an orange
these days
of sink
and crib, the earth
in parts
flat
~
BARN MUSICS
as blind
as hair
yeah that’s
your father
spelled
into baiting
hosanna’s
cricket
by a red
a gaslit
mouse
~
ACCESS MUSICS
I have a friend whose father called every basement the devil’s treehouse. a friend who’s here today because she hid a knife. whose brother met god too early on the path to god and whose mother would jump from anything to fix a tooth…
there are people who don’t smoke
who want to
when it rains
~
REMOTE MUSICS
I write in this tongue and pray in another.
we sleep
and are kissed
by an ear
in three
beds: train, cow, frog.
if you’ve seen one roach,
you’ve seen them all. that’s where they come from.
~
ORPHAN’S VIGIL
i.
strength
not the strength
a statue keeps.
ii.
mother’s hunger
the hunger
of marionettes.
iii.
the beggar
father hides
and the beggar
he hides
behind.
iv.
brother
don’t sleep.
the paper dolls
have been cutting
your hair.
~
THE MEEK, THE MEEK
i.
in him like the sewing needle of god’s mother; is lightning.
in you a koan.
ii.
now that she wants the surgery removed
they tell her
the womb
is a hook
that looks like a womb.
iii.
everywhere work.
stalks
pitch
the golden blood
of brooms.
iv.
mother in her rocker
her eyes
tire swings
her tongue
a cat’s tail.
v.
fourteen
my sister
martyrs herself
under the monkey
mad
in the stoplight.
vi.
in a church
hangs a coat
with a man
in it.
vii.
does not break loose
like they say
all hell.
~
CLAW & CIGARETTE
eating is done fast and alone. teeth
chatter
in the corner.
a rabbit
muscles
in the mouth.
sleepwalking
is like something
brother
won
at the fair.
we nudge him. put the bread
back
of the mouth. think injured
deer, slanted
mailbox.
~
how in a small bed
you shift
might your son
bite
your longer
arm, how a stone
can become a bowl
you see
with your mouth
I didn’t miss god or think I was ugly. had mud enough
to make
from memory
the scarecrow’s
stomach. I ate my brothers
they ate
me back. any loss
became a hole
in a snake, any needle
a worshiped
feather…
beneath a star
with the brain
of a swan
the infant
makes it
perfectly
god’s bitemark
soup
an angel is the bed of a ghost. god a crow
warning anthills
of milk
I’ll Build Us a Home
poems – Emily Paige Wilson
Finishing Line Press, 2018
~
I was soft, and my other was vivid. Check my pulse, and I’ll check yours. Oh, these early games. These asks, asked by children, of the wrist and of the hand. Detail is the orphaned builder. Home a framed dislocation. I’ve come to say as such by way of Emily Paige Wilson’s I’ll Build Us a Home, a book of nervous transit, a work that frames the letter sent back twice by the shape that loneliness adopts. In verses deepened by domestic otherness and blessed with handmade hiatuses, Wilson knows shelter as a thing brought inside by one or two spells said by those who’ve chosen to recite passage to hallways while giving space to rooms. This is a worried and inviting art, and captures the wildness in the wanting to be safe not…
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