–
frogsong
depression
decorates
a bird
–
miscarry
perhaps a deer
had stepped
on my wrist
–
osmosis
the son takes with him a knife into the bathroom and
–
church
entering the body after a stroke
–
sex
two
as if they fear
a third
–
angels
mystique
that surrounds
a small town
search party
–
chthonic
a prayer asking god to brush your teeth
–
hunger
my first
backpack
–
fraction
sadness
over something
deleted
–
we died
in that dream
but continued
to understand.
I thought
sleeping
skin-to-skin
with my children
would cure
your fear
of flossing. every bomb
touches god.
I forgot
to be in pain.
what is not
there
in that late place
orphaned
by arrival
where a god
names
whose dying
it surprised
(is the last thing
he’ll touch
on purpose
creation
gives guilt
an afterlife
–
the neighbors
found dead, we learn
to miss
the dog afraid of everything
–
(sleep is a movie a mom was in
home and work
oh places
to be safely
poor
oh tonight
I am sad
a zoo
for zoo
laughter
I kiss
my son’s
elbow
the elbow
the knee’s
farewell
we listen to the dishwasher
as if sound
will make us
close, as if he is not
alone
in hearing
his flat
blue
rollercoaster
we itch for baby and guess at what it might be that god is drawing.
baby won’t age
(not past
rowing machine, not past
rocking horse. (if I leave, it’s to worry
on the smallness of its feet

A year ago, {isacoustic*} released Heather Minette’s Half Light.
Had and still have, for its words, these:
As a child, I told my mother the alphabet was broken after I’d seen it, for the first time, written down. Something about it, there, all in one place. Also, I wouldn’t hold my breath in front of my action figures. I tell you these, here, because it seems necessary to repeat them as is, as summoned, in my reading of Heather Minette’s Half Light. These are poems of ash and glyph. Of men who believe cigarette over bridge and of women who sculpt faces that their own might become unstuck. These are stories, really. Cloaked urgencies. The statuesque inevitable. I saw things in this book and looked from them to see myself, in the mirror, answering a telephone. Minette fashions spirituals for the plainly dressed and has an eye, not only for detail, but for detail’s double. In Half Light, death has only ever happened once, and is resurrection’s safe space. In Half Light, Minette is six years old, nine years old, thirteen years old, and then born knowing age has nowhere to leave its mark. How does one flee exodus? Or record the unnoticed blip of reckoning? How is the firefly not more known for its time spent as darkness? I didn’t read it here, but remembered, while here, that I read, elsewhere…how mail carriers don’t believe in the afterlife. Minette conjures first, responds later. This is a patient language. This, an abbreviated yearning. A father goes from storyteller to jokester because, when laughing, we all weigh the same. If there is mourning, there is also the chance to rename the toothless mermaid identified by her hair. If there is a passing, there is also a poet who knows that loss is, at best, a ghostwriter. Minette knows what she’s doing. To read this book is to haunt its absence.
~
for purchase, amazon:
for purchase, barnes & noble:
https://www.barnesandnoble.com/w/half-light-heather-minette/1128985743?ean=9781387874200
on goodreads:
https://www.goodreads.com/book/show/40533588


