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June 21, 2019 / barton smock

yet ache

what is not
there

in that late place
orphaned
by arrival

where a god
names
whose dying
it surprised

(is the last thing
he’ll touch
on purpose

June 21, 2019 / barton smock

drift ache

creation
gives guilt
an afterlife

the neighbors
found dead, we learn

to miss

the dog afraid of everything

(sleep is a movie a mom was in

June 20, 2019 / barton smock

{ animal masks on the floor of the ocean & MOTHERLINGS }

 

slight revision on the following private publications:

 

animalmasks
Animal Masks On the Floor of the Ocean, 114 pages, 10.00
poems, June 2019
can be purchased via paypal (bartsmock@gmail.com)

 

*

 

MOTHERLINGS

MOTHERLINGS, 52 pages, 4.00
poems, June 2019
can be purchased via paypal (bartsmock@gmail.com)

June 19, 2019 / barton smock

softenings

home and work

oh places
to be safely
poor

oh tonight
I am sad
a zoo
for zoo
laughter
I kiss

my son’s
elbow
the elbow
the knee’s
farewell

we listen to the dishwasher
as if sound
will make us
close, as if he is not

alone
in hearing
his flat
blue
rollercoaster

June 18, 2019 / barton smock

lift ache

we itch for baby and guess at what it might be that god is drawing.

baby won’t age

(not past
rowing machine, not past

rocking horse. (if I leave, it’s to worry

on the smallness of its feet

June 18, 2019 / barton smock

{ whole / year }

halflightcover

A year ago, {isacoustic*} released Heather Minette’s Half Light.

Had and still have, for its words, these:

As a child, I told my mother the alphabet was broken after I’d seen it, for the first time, written down. Something about it, there, all in one place. Also, I wouldn’t hold my breath in front of my action figures. I tell you these, here, because it seems necessary to repeat them as is, as summoned, in my reading of Heather Minette’s Half Light. These are poems of ash and glyph. Of men who believe cigarette over bridge and of women who sculpt faces that their own might become unstuck. These are stories, really. Cloaked urgencies. The statuesque inevitable. I saw things in this book and looked from them to see myself, in the mirror, answering a telephone. Minette fashions spirituals for the plainly dressed and has an eye, not only for detail, but for detail’s double. In Half Light, death has only ever happened once, and is resurrection’s safe space. In Half Light, Minette is six years old, nine years old, thirteen years old, and then born knowing age has nowhere to leave its mark. How does one flee exodus? Or record the unnoticed blip of reckoning? How is the firefly not more known for its time spent as darkness? I didn’t read it here, but remembered, while here, that I read, elsewhere…how mail carriers don’t believe in the afterlife. Minette conjures first, responds later. This is a patient language. This, an abbreviated yearning. A father goes from storyteller to jokester because, when laughing, we all weigh the same. If there is mourning, there is also the chance to rename the toothless mermaid identified by her hair. If there is a passing, there is also a poet who knows that loss is, at best, a ghostwriter. Minette knows what she’s doing. To read this book is to haunt its absence.

~

for purchase, amazon:

for purchase, barnes & noble:
https://www.barnesandnoble.com/w/half-light-heather-minette/1128985743?ean=9781387874200

on goodreads:
https://www.goodreads.com/book/show/40533588

June 17, 2019 / barton smock

{ private publication available }

hey all. hey some.

I have privately self-published a collection of poems at 114 pages called (Animal Masks on the Floor of the Ocean) and have done the same with a smaller exploration/work of poems at 52 pages called (MOTHERLINGS).

Animal Masks…is 10.00, while MOTHERLINGS is 4.00, and each can be purchased via PayPal (bartsmock@gmail.com)

*be sure to include your mailing address in the comments of the order. any questions can be directed to bartsmock@gmail.com

 

 

 

June 16, 2019 / barton smock

questions for stone (ii)

when
did you know
there was nothing
left
and why’d
you tell
color

June 16, 2019 / barton smock

softenings

for me, to look at your art is to know just how quickly I’ll go back to feeling nothing. (my little stories

about the success
jesus had
impressing
his father…

to pulling death’s leg
or the leg

from the insect’s
shadow

June 14, 2019 / barton smock

dark ache

when in
a church
you lose
your sense
of smell, it’s okay

to drop
the baby

(its shadow
could be anything

in the right
light