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October 6, 2020 / barton smock

(percent sign

barton smock's avatarkingsoftrain

~

fromanimal masks on the floor of the ocean

long gone are the insects
you forgave

this storm, the whale
of oblivion’s
white feast, this moon

the word
moon

*

I go places
in my ghost
that are children
when I arrive. they call me

high grass, lord
of the wind’s
blood. most of them
have lost
babies
with dog
names
to birth
or touch, our brief

attractions
to déjà vu

*

to be unthought of is to be one more person away from pain. no cricket you hear is alone. in my boy’s drawing of jesus, the ears are all wrong. his first sad poem is about an oven. his second calls dust the blood of a seashell. his third is so terrible that I tell my friends I’m just a gravedigger who wants to open a hair salon. my friends they are made of grief and brilliance…

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October 6, 2020 / barton smock

maybe a thing is born once it knows how slowly god lives

like everyone else
I only smoke
at funerals

October 4, 2020 / barton smock

Writing Without Thumbs: A Conversation with Johnny Stanton and Elinor Nauen

October 4, 2020 / barton smock

the photographic memories of grief and god

sleep and death
bathing
in a me-shaped
emptiness
were never seen
by the same
ghost

October 2, 2020 / barton smock

time

when an animal
reading
dies

September 30, 2020 / barton smock

@ {isacoustic*}

{isacoustic*}

NEW at isacoustic.com:

A review by Erik Fuhrer of C.T. Salazar’s ‘Forty Stitches Sewing a Body Against a Ramshackle Night:

http://isacoustic.com/2020/09/14/review-by-erik-fuhrer-of-c-t-salazars-forty-stitches-sewing-a-body-against-a-ramshackle-night/

~

My reflection on Tanya Holtland’s ‘Requisite’:

http://isacoustic.com/2020/09/23/requisite-tanya-holtland/

My reflection on Johannes Göransson’s ‘Poetry Against All’:

http://isacoustic.com/2020/08/03/poetry-against-all-a-diary-johannes-goransson/

~

Publication announcement for former contributor Donna Vorreyer’s ‘To Everything There Is’:

http://isacoustic.com/2020/09/29/please-join-the-witnessing-of-donna-vorreyers-to-everything-there-is/

~

Poems by:

Erik Fuhrer
http://isacoustic.com/2020/09/05/person-erik-fuhrer-two-poems/

Brianna Cunliffe
http://isacoustic.com/2020/09/05/person-brianna-cunliffe-two-poems/

Kelli Allen
http://isacoustic.com/2020/09/14/person-kelli-allen-poem/

Bob Meszaros
http://isacoustic.com/2020/09/28/person-bob-meszaros-two-poems/

Julie Tonkinson
http://isacoustic.com/2020/09/28/person-julie-tonkinson-one-poem/

Carla Sarett
http://isacoustic.com/2020/09/28/person-carla-sarett-two-poems/

Barbara Parchim
http://isacoustic.com/2020/09/28/person-barbara-parchim-one-poem/

Rochelle Jewel Shapiro
http://isacoustic.com/2020/09/29/person-rochelle-jewel-shapiro-two-poems/

Nathan Anderson
http://isacoustic.com/2020/09/29/person-nathan-anderson-two-poems/

Austin Davis
http://isacoustic.com/2020/09/29/person-austin-davis-one-poem/

Benjamin Harnett
http://isacoustic.com/2020/09/29/person-benjamin-harnett-one-poem/

Koss
http://isacoustic.com/2020/09/29/koss-two-poems/
Doeun Kim
http://isacoustic.com/2020/09/29/person-doeun-kim-two-poems/

Aimée Keeble
http://isacoustic.com/2020/09/29/person-aimee-keeble-one-poem/

~

Short story by Mary Newton:
http://isacoustic.com/2020/09/28/person-mary-newton-short-story/

September 29, 2020 / barton smock

no future in the smallest museum of childcare is immune to the draw of evacuation

Mother an ache through which has rolled a hula hoop

Father a broken tv
missed by lightning

Eye a longing, a spoonful of milk

September 28, 2020 / barton smock

I often believe myself to be dying and fail to miss the restorative absence of touch

On a blue
arm
a mosquito

born in god’s
erasable
kiss.

A clown
so early
to the unmoving
dog.

Most movies
are hidden
by sleep.

September 24, 2020 / barton smock

wrist

newborns
playing tag
in a dream

September 23, 2020 / barton smock

{ Requisite ~ Tanya Holtland }

barton smock's avatarISACOUSTIC*

Requisite
Tanya Holtland
Platypus Press, 2020

Does silence ever notice the quiet? Can doom move the past? Are we, by listening, able to pose our ask into a speaking that might enter unheard the conversation so lovingly and urgently remembered in Tanya Holtland’s Requisite? What language, what ghostly origin, what presence. With unassigned awareness, and while swallowing the clinical eye of attention, Holtland knows to talk underwater about distance and to use both our archival futures and communal isolations to render a spiritual economy of verse enough for us to picture multiple ecologies from the vantage point of some same animal with the ability to wonder secretly which four shapes will be on the test. And what of those stills of misplaced exits that were slipped into the water-damaged photo album of an escape artist, and what of our walking, and what of our inaction? Whether one scores…

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