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July 17, 2020 / barton smock

tinyletter entries (some, gaps)

https://tinyletter.com/BartonSmock

 

 

ENTRY 7/16/20

I thought there would be more of these.

I’m sorry.

I worry of course that the holders of the information are now the same as those whose moral data was based on an erasure.

I do hope you are safe.  I do hope.

Poems shaped like poems:

.

SLOW MISSINGS

fog’s invisible feast, a flashlight

kissing the itch on the face
of god, the toy

baths our machines worship, the hunger

that returns my ear to my father’s
stomach, the soundless

fasting
of owls, the first camera

that knew what would happen

.

ATTENDANCES

A palm overtaken by the long audience of touch, a hand

left for god
by a spider, a child

packing snow into the dream of a mother’s knee,

a shadow
eaten by a rock, a rock

eating nothing
in a church, the angel

assigned
to a lost
microscope, the order

in which
we’re imagined

.

AFTERNOTES

Knowing one will have a seizure that the others can watch, ache invents three empty-handed people who are closely based on the two still dying on the roof of a strip club. My first thought upon seeing any horse is that each horse is all the time thinking of its mother. I wait not to be taken but to be taken by the alien attracted to god. The family we don’t talk about burns trash in a silent film. No woman loves grief, but will check its facts.

~

what nightmares might boats have. do small bits of Hansel and Gretel enter the oral history of stowaways. oh pacing son of god, why does father worry his belly over an ant at peace

inside
of a worm. what if our whales are mostly absence and death passes me like a room

~

At the end of the day, it’s a very long day. The mirror believes it’s covered its belly. You ask me what hurts and I say earshot and show you the traffic cone my mother lifted from the world of tire swings. Everything you’ve written about the void being free is true. I secretly want your fingerprint and you secretly collect stock images of the born again. Will god never finish

the wind

~

and its use? this yearning, this alien attendance to the unsupervised moment? a childhood, perhaps. rugburns on the bellies of those who fall asleep to the song of you swimming from the water in your body. god returning to find again that our absence has been rearranged by the last infant to receive nostalgia. our self-harming sock puppets fresh from the diary of touch. an egg in the churchbell’s brain.

~

There is a part of my left hand that seems to know a fish with a nosebleed. If I could open the book of touch, I would open the book of touch. My son has a cough that haunts the leg of a wasp and his singing lives in a blank mother’s bottle of glue. Death recognizes more creatures than god.

.

INTERIORITY

A mid-day animal on land dumbstruck by the holy effort it takes to forget god. The nocturnal grief of apples. Alien and angel having a quiet moment before abducting from the high-dive our least favorite swimmer. The naming of the star my cigarettes worship. A pawprint sleeping on a heartbroken whale.
.

COUNTRY SILENCE

has a father worshiping a balloon animal and a mother caring in her sleep for sleep. has a sick son relearning in church how long a past life lasts. has you writing this beside the ghost of a fish to a god whose thoughts on children have changed. has in it no maker who hasn’t already made field recordings for those who miss emergency rooms. has in it owls lost in the attention span of the gentle. owls born with all their teeth.

.

ENTRY 1/23/20

interruptions, this new year.  and pauses.  my youngest son was hospitalized with flu and pneumonia, and he is immunocompromised, so plenty of scares to haunt fear.  all are okay.  recovering.  a grandfather died.  not so much an interruption as a finality.  silence, with a semi-colon.  last year will always be the year my grandmother died, and this year will always be the year my grandfather.  they loved each other.  grief plays, at least, leap frog.  have continued to write what I am calling ( diets of the resurrected ), along with some other aches and afternotes.  as such, will be below.  I hope you all have space, or are close to something.

~

further, from ( diets of the resurrected )

~

two
Ohio
types
of sleep

the bee
that stung
my bee

~

Eating is magic.  Hunger a rabbit removed from its environment.  I can make some sense now, I think, of death.  Of a grandmother’s life of cooking and loss.  We wore our frostbitten noses.  Did things with frogs might an infant laugh on the inside where a nothing was still in boxes.  Took from blood

its blue
now.  Which was wrong.

~

Ohio sexuality:

Cain faked her death.

Ghost is that itch the wall can’t reach.

~

pregnancy
dysphoria
has been found
in angels
to spread
like fish

do you remember
in an oyster
the arm
of a squirrel

mom
is a dream
leaving
a pack
of cigarettes
under
an Ohio
pillow

or,

facedown, a photo

of God
with braces…

~

Ohio solastalgia:

In hell I am passing a cemetery when during a housefire she makes a memorial to the last time you won a staring contest

~

While close, this is not your messiah’s insecticide.  Are you happy with my body?  Sex is the breathing my teeth do for your hair.  Faith a stork in a sea cage.  Food is no expert but grows anyway

brevity.  They say crow after an apple sets a stone on fire.  Lonely people for appropriate play.

~

I want for my son a more regular sadness.  Not touch with its vacant déjà vu.  Not the stutter, untapped, of his far beast.  More the fasting of an unknowable fish.  A marionette

gazing
at a toy

car.  Are these hands?  They say so little.

~

Ohio auctions:

The unseen wildlife of the ill.  The handwriting of a moonless toddler.  A whole language saved on an angel’s thumbnail…

~

I can’t tell if I have nothing or if I’m down to three photos of God.

I sleep
to know
that you’re
asleep.

~

I will take for my childhood a mother’s unicycle, a father’s raincloud.

The broken moon of any man on crutches.  A dog drinking water in a white house.

Brothers
who draw me naked.

Bones from her smaller baseball.

~

Sorrow a glove.  Grief a mitten.  I see in fire the small

for a whale
whale
that my son
saw
in a wave.

Ohio gets to keep its hidden season.  Poverty

its sixth
finger.

Childish, but everyone who’s looked out this window has died.  Our family was too close.

~

Ohio stories:

I am fondest of recalling my sister when sister in her sleep
could sell drugs to angels.

Men walk away from their fathers one of two ways with our favorite being Stars Reading Snowfall Before and After My Career-Ending Injury.

Our mother was a spider
once
it’s why
she smokes.

~

Their translating of the terrible things we’ve said has created elsewhere animals that don’t need to eat but bite anyway anything that moves.  Neither silence is real

but both belong to God.  My son

my moodkiller
of ruin

in no dream I’ve had

pours gasoline on himself and leads an abandoned bear onto an empty school bus.  Am I pretty this third

time

if my parents are yesterday and grief?

~

Her Ohio of war and sleep:

what if I said
I see
in a land of tire swings
your fishboat father
rubbing perfume
on the knees
of stowaways
would you consider
the cricket
God is trying
to land

~

My mother knew she was pregnant when from a darkroom her surgeon emerged holding a piece of chalk.  Before I had hair, I had hair my sister sang to.  Interesting men didn’t make it to earth.

~

Early for foster home karaoke, she announces God as the exit sign over the door of her body and sleep as a museum owned by death.  Because I am lonely with not being there, I call it her best scene.  She doesn’t clap.  A ghost gives birth to a chair.

~

Jumping rope in Ohio:

We burn the house might God see everything we own

Her movie puts them all in one place
the photos
a photo
prays to

When I kiss my son, his ankles glow

Mom I did not succeed

~

As if speaking were a way of taking back what one has yet to say, the people are quiet.  A group of smokers, perhaps, expressing their fear of needles outside of a funeral home.  Who know of no god that can bury a swimmer.  Whose children say birth as bird and are not corrected.  Whose food is a memory of water gone sick.  Whose dogs get passwords from dolls that blink.

~

Moon’s hair on a hospital plate:

oh with the eyes
of a lost basilisk
does god undress
in deprogrammed
rivers
my son’s
deer drunk cow

~

Shaking the  breadcrumbs from his pipe, grandfather goes quiet on pointing out the weak spots of passed over anthills.  His poetry disappears but not before it buries half a baby in the backyard of a surprised mouse.  He is not sure what surprises a mouse.  Nearby, I am only here to chew the distance from the foods my kids won’t eat.  I have with me a change of clothes and a lunch box named God in three toothaches.  The fish aren’t biting, and we say it’s because grief must be getting an x-ray and that it likely looks a ghost praying in the last of its birthday fog.

~

Moods for dying wildlife:

Missing pacifier spotted in fishbowl.  Barbershops on fire in the childhood of your puking shadow.  Abusers who rename their dogs.

~
~
~
~

afternotes
i.

a circus worker
smokes
as one
who dreams
of being brainwashed
in Eden

the details
need some space

every bee sting
has a ghost

ii.

wash oh please
my forehead
with a mother’s
handprint, be

as sweet
as my brothers
fawning
over the belly
of the lover
who’s by now
removed
their matching
imaginary
tattoos, score

the earlobe
of a nail-biting
infant,

die.

the angel in the mirror
is not alone
all the time

~
ENTRY 12/12/19
keep a look out for Dylan Krieger’s book, Metamortuary.  I had a chance to reflect on an advanced copy, and it it is emptying and restoring and riotous and detached and possessed.  also, The Mothercake Cycle by Kolby Harvey is just a standalone thing that cancels beast.  I hope the holidays don’t mean too much to any of you.  and I hope they pass as some vivid calm.  I am somehow sorry for speaking so much and also for not saying more.  is capitalization a thing?  this brings me to how I am glad that my children introduced me to Juice WRLD.  there is a new vanishing in these soundcloud musicians that make the blips of our notified lives seem starred and starry.

here are some small things from (diets of the resurrected):

~

Whose death got you into heaven?  The baby is older now but has the kissing wrists of a failed skier.  Your children don’t love you because they will.

~

Ohio postscripts:

Shy, I could not collapse in front of mothers who were born on the moon.  As for the children, they’ll die for baby.  For any last fact that others exist.

~

Dream supply:

A pile of white leaves in the corner of my father’s mind.

Wind and skin, or the angel’s
forgotten
spells.

No longer a fire hazard
the wagon’s
grey hair…

The suicide of God’s first.

~

Not much happens before you can say Ohio.  Still, we keep quiet.  Depression breaks a mother’s toes and we listen, in a stickless field, to what we hear.

It continues.  The misgendering of past selves.

~

My son writes to me about the piece of glass they can’t find in his ear.  He says it is like a dream.  That he can describe its shape between the hours of this and that a.m., and its size to a newborn making a grocery list.  He says they have people who look like him, which helps.  Like her, which doesn’t.  My writing isn’t even close.  Aponia, I write, and also, ballet.  Everything in the cold is cold.

~

ENTRY 12/5/19
so here are some recent things.  the films Love, Antosha and Greener Grass are not as different as they seem.  both are dedicated and fleeting.  also you should read Kolby Harvey’s The Mothercake Cycle and S. Brook Corfman’s Meteorites.  I think they need someone to talk to.  or someone needs them.  regardless, there are four someones in need.  this is the kind of math art pretends it cannot do.  and mine that is not above anything is at least very below:

from ( diets of the resurrected)

~

Ohio sexuality:

X mourns outdated baby monitor by scoring a commercial for rabbit mascara

~

When it gets cold, we tell each other it’s okay to use a photograph instead of soap.  It is not common for language to keep its word.  If you’re poor enough, snow takes the pulse of the moon.  We don’t believe in the soul.  But ate something to bring it back.

~

As grief swallows those insects made of repetition and As god locks herself in the bathroom built for her father and As I mimic choking on the cord that wants to belong to the phone that reads your mind and As her baby waits to hear if it’s a boy or a girl who meanwhile touch and As the beekeeper befriends for reasons known to homesickness the owner of a gun

that was used

~

Ohio children pine equally for ice and for cigarette. They have hated the holy spirit for dying and have loved it for tracking blood loss in those with longer shadows. I don’t think we’ll ever be young. Even the fires you set are shy.

~

Ohio sexuality:

A private pencil erasing nobodies from a blue past.  A way for fish to keep passwords from God.  A toy car from the world’s saddest drive thru and sirens in silent movies overlooked.

A pink light.  How it cared for snow.

~

Poverty created the moon as a place for loss to process god.

It helps to have no one.

~

Some future:

A pop-up book about Ohio mosh pits is lost by a beloved chiropractor who has by default become an expert on unicorn pregnancy and who is wearily attracted to cures excluding those for bicycle legs as present in our newborns

~

Ohio alibis:

Two sisters learn from the same angel how to use an insect bite as a fingerprint

~

Ohio introductions:

Listening to the rain as it runs interference for echo’s disappearing hair

is Satan with her mousetrap

~

I want to sleep again on the kitchen floor beside my brother who is reading to himself from a book of baby names for the dead as if such a book exists and I want to imagine the velvet life of the thing that stirs itself so immediately soft in the garbage disposal that it becomes your fear of swimming and erases mine of having bones

~

Ohio exits:

When you find prayer, ask music how touch knows where where is. Ask hand if it was ever more to blood than a lost slipper. Ask ghost why its miracle spared the angel. Ask horse anything. You are dear to me. If horse is even there.

~

Satan was the first to name the animals. I know we watched ours die. Anyway, I’m not sure there were two of us. The child was a footprint trapped in a shoe. I disappear and still you vanish.

~

Ohio math:

A museum of mothers who sleepwalk to get there.

A father’s collection of crying insects.

Yes I forgot to love you.

~

Oh moral permanence, oh distracted beast- no one asks God about baby number two.  We make guns together in the dream of the stray hand and there are exercises a mother’s puppets can do that will bring a doll peace.  Angel can, but won’t, let mirror look out the window.  I still wrote all that stuff.  I’ll touch zero if you trap its tongue.

~

Ohio auctions:

A dress worn by the child who ate sadness.  A gas station snow-globe prayed away by a father’s dying goldfish.  A town,

or three people surrounding a dogcatcher.

~

Get a blood clot and sister will say on the moon they worship these.  If you sleep too long, you’ll become a color.  Rate your pain from one to ten, with five being the highest.  God still thinks we don’t know.

~

 

 

 

July 16, 2020 / barton smock

country silence

has a father worshiping a balloon animal and a mother caring in her sleep for sleep. has a sick son relearning in church how long a past life lasts. has you writing this beside the ghost of a fish to a god whose thoughts on children have changed. has in it no maker who hasn’t already made field recordings for those who miss emergency rooms. has in it owls lost in the attention span of the gentle. owls born with all their teeth.

July 14, 2020 / barton smock

inside wasp

crow-muscle.

what parrot
gets
for eating
angel.

the quiet lord

of non
use.

July 13, 2020 / barton smock

{ infant & shuteye, 2016 }

well 2016

barton smock's avatarkingsoftrain

INFANT CINEMA

god save mantra. the baby. the unicorn tantrum. god save the ventriloquist. the museum of shrinking things. the things themselves. the angel working the knots from an extension cord. the exodus followed by the exodus of my father’s turtles. god save the condom. the flag of the scrotum. the handcuffed mother of sleepwalking illegals.

~

lordy that’s a lot of people

observes the refugee. what the dream tells us about the headache is worth repeating.

~

I cross my legs in the soul’s bathroom and suck on the business end of a squirtgun. if I jerk enough, I can make the newspapered floor into a headline that reads season slows for Ohio toddlers. I can’t remember the last time a toddler ran past me or, for that matter, the last time a toddler ran. god save the translucent. the abused are never more alone than when their…

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July 9, 2020 / barton smock

2019 then

wrote the below to no one last year on July 9th.

my grandmother passed away shortly after, and my grandfather shortly after that:

7/9/2019

I don’t believe, or I do, or I have questions. it doesn’t matter. I guess it doesn’t matter. regardless, grief shows a boy how to position the hands to play with nothing. stances become a skillset. what I want to say is that my grandmother is having a surgery tomorrow that no matter how it goes is going to change a course or two. I saw her today and even in her frail state she asked about my children and made a soft meaningful joke about the grey in my beard. I hope she’s okay forever.

~~~~~

these two poems came on that same day:

[correct ache]

an angel leaves heaven to touch paper as a circle from my childhood rolls toward an empty jack-in-the-box. I am old enough to be sad and too old to separate deer facts from church facts. my children fall asleep before their hands fall asleep.

[clean ache]

punched in our stomachs for remembering the sea, we are in a church that goes to church. it is here that a drop of god’s blood can change paper into plastic and here that bread is the bread and butter of hunger and hunger the oldest child in nothing’s choir. here that I count for a son who cannot count. for a son who sleeps on land on the lamb of his illness. (water is still the smallest toy and our mouths still come

from the same
noise

~~~~~

so, anyway, I hope we are able to put things back together and return déjà vu its aftermath

July 6, 2020 / barton smock

traced perhaps for a terrible circle, today was mostly your hand. (edits, deletions, 2017 and life under bell)

traced perhaps for a terrible circle, today was mostly your hand.

on video my cousin is singing a song she’s learned by heart. she’s maybe four. I don’t know where to begin. this pond behind her, perhaps? that in my memory is the size of a fire pit. or maybe, here, in the darkening sameness of those sentences strung together by cows. or years from now, even, with the word no and her sister’s lookalike being assaulted by an only child in a library of fragile non-fiction. my cousin is singing a song she’s learned by heart. she’s five. a careful six. sound’s fossil. no city half-imagined. no insect obsessed with privacy. time matters to the frog we catch.

~

there are days he is the son of muscle memory and funny bone. days his hands are gloves from a small god. poor god, he says, and grows. days he can carry a circle to any clock in the town of hours. days his past can be heard by his siblings- you’re beautiful the way you are. days his blood pushes a bread crumb through his thigh. days his scar is a raft for ear number three. nights his brain / the separation of church and church.

~

violence is a dreamer. a boy on a stopped bus is dared to eat a worm. it feels authentic. alas, there is no worm. the devil knows to stay pregnant. word spreads about the girl without a tongue. cricket lover. and then, bulimic, when she won’t sneeze.

~

the mother of your hand is smashing spiders with her wrist. we have a high-chair for every creature that eats its own hair. the twins in the attic have switched diapers. skeptics. voices heard by the ghost of my stomach.

~

it is snowing the first time my daughter drives alone. Ohio is cruel. stillbirth, old four-eyes. you want them to like you. the insects you save.

~

a lawnmower starts then dies then is pushed by a noisemaker past fog’s dark church. an unprepared prophet drinks the milk meant for baby eyesore. my sister loses most of her hair putting together a puzzle of her mouth. a bomb is dropped on a bomb.

~

we put a museum on the moon. I had all my dreams at once. a mouse was wrapped in a washcloth then crushed with the songbook of baby hairless. fire treats grass like fire.

~

and in the spacecraft where a mother diapers the doll that makes her fat there plays the voice of god asking for a film crew none will miss

~

we wore clothes as an apology for being nearby. a door was a door. a ghost was a ghost and a door. the house was possible. its rooms were not. baby was a body spat from the mouth of any creature dreaming of a bathtub. I got this lifejacket from a scarecrow. said the redheaded tooth fairy.

~

his baby is wailing in its crib for its mother and he mans you up for a cigarette and blows on the baby’s face and somewhere you yourself have stopped crying as you are pulled from a pile of leaves by two people made of smoke

~

sickness in the young is god’s way of preventing nostalgia from becoming the god I remember

~

I was beautiful but now I’m ugly. (now) being the most recognizable symbol of the present. this is the silence I speak of. my son says (more ball) and you hear (moon bone). he is very sick. his moon has bones.

~

we don’t come out faking our death, but are born because birth can’t sleep

July 4, 2020 / barton smock

from ( diets of the resurrected )

I don’t care what the image has gone through to get here, as long as it’s not me who’s seen god. Before the movie starts, a father asks a mother could she love an arsonist in a wheelchair and she answers no. Most scenes you pretend to pull the unkissed ear of a secret child. The movie ends and I’m not sure how long I’ve been wet. Touch is diversion’s heavy reward. The afterlife a shortcut to loneliness.

June 30, 2020 / barton smock

but here we are putting our fingers in the boy’s mouth

rare for an angel to want its own ghost

all fish
hate god

June 25, 2020 / barton smock

works, where, and

my small press writing day entry:

http://mysmallpresswritingday.blogspot.com/2019/02/barton-smock-my-small-press-writing-day.html

~

on my collection Ghost Arson, an interview by Crystal Stone for Flyway Journal:

Interview with Barton Smock, Author of “Ghost Arson”

~

poems elsewhere:

https://thecollidescope.wordpress.com/2019/08/11/hungrily-poetic-an-interview-with-barton-smock/

https://thecollidescope.wordpress.com/2019/07/07/goodbyes-for-exodus/

~

poems, inquiries:

#TPQ5: BARTON D. SMOCK

POWER OF POETRY #84: BARTON SMOCK

~

work:

Ghost Arson (Kung Fu Treachery Press, 2018)
15.00
via paypal (bartsmock@gmail.com)
or Venmo @Barton-Smock-1

review by Dd. Spungin:

{ Dd. Spungin’s review of Ghost Arson }

review by George Salis:

{ review by George Salis of Barton Smock’s -Ghost Arson- }

at Cruel Garters:
https://www.facebook.com/Cruel-Garters-162917133824108/

I’ve been reading “Boy Musics,” a prose poem in the book Ghost Arson by Barton Smock. The poem perfectly captures that rarely whispered vulnerability that comes with being a boy (being human.) The poem opens with the speaker and his companion “counting cigarettes on the roof of a closed sex shop in Ohio,” an apt setting to explore what is open, what might be okay to share. The speaker shares that his father is gay; the companion shares “three poems by [his] dead sister, the third of which she called dead sister.” These kids are doomed, as left to their Mid-American whatever as Ohio, as passed over as the lower middle class. It’s “too late for crow and all the deer have been hit.”

Still, there’s a tenderness here. Poetry survives unlikely odds, as does sex. Smock confesses only what needs confessing. The poem and its companions in Ghost Arson never fail to surprise in their detail, and they never flinch as they stare down the big themes: “a vacuum runs below us. you ask me if I’ve ever wanted to see her handwriting. it’s nothing like yours but maybe one day.” These lines that conclude the poem give me shivers. This whole business is visceral. I love the book, but seeing the handwriting might break my heart.

-Glen Armstrong

ghostarson1

~

works, privately self published:

animal masks on the floor of the ocean, 124 pages, June 2019
Motherlings, 52 pages, June 2019
an old idea one had of stars, 58 pages, February 2020

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all self-published collections are free with request made to bartonsmock@yahoo.com

or with donation of any amount
via paypal (bartsmock@gmail.com)
or Venmo @Barton-Smock-1

June 24, 2020 / barton smock

all these anxiety machines

but no one to fix
an invisible
button