Today for a good seven minutes I couldn't remember the name of my son's disorder. In dollhouse hell an eye used a clock. I left myself a stone with feathers.
I started to care about form. Sleep could not sleep. One brother turned more blue than the other. I drank myself into three gods but didn't ask. It was late and then it was now.
The babies came out silent Our talk was over It might still be meal two or three Meal one: the slow cry ing of having had a toothache on the moon
Why in Ohio is it still this thing you said A leaf is in pain A footprint isn't
toward the work of others - ~~~~~ through a small ghost poems, Chelsea Dingman The University of Georgia Press, 2020 Chelsea Dingman is a poet who makes you feel as if you’ve entered the dream a little early. Otherness is something that happens to others, and pain hurts in two places at once. In through a small ghost, it is this meditative displacement that allows the work to both worship and curse the prolonged destiny of its sudden and devastating inheritance. Be it a projected disappearance or a vanishing root, Dingman identifies first the caller of the form that keeps us from so many shapes, and then the unreal form itself. As any breathing in this held verse might poke a hole in the haunting and send a smoke ring to show the fog how its wheels have come off, the poems keep their witness on the made from…
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the resurrected are most of the time asleep - sorry, city - sorry very city
The flat curiosity of our girlhood's insects. Age-appropriate infants with no self-esteem. The grey math of being clothed. The pink of being dressed - Again the wrong person forgetting my death
Each place I go is from Ohio. Mirror softens mirror. A leatherback sea turtle drops its angel. I don't think art is working.
Snow in the knee A normal church Pain dog and helicopter pain A timestamp there's nothing more god





