With harshly deadpan imagery, Seth A. Smith's Tin Can is a distantly fed close-up of tiny starvations. Anna Hopkins gives her character both strength and weakness and is able to differentiate which moments are realization and which are revelation. If all stories are doomed, revenge seems to meet a different maker than love. Class, age, access, protection...I don't know. Kick against that loneliness, tip it over, and still humans are what separate us from being human.
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