separations for unlikeness
it’s not my imagination that I’m the only foreigner my body recalls, but is that god can change with my stomach the shape of his tears
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Recent Posts
- { Poetry Against All ~ a diary ~ Johannes Göransson }
- second notes
- first notes
- afternotes
- (percent sign
- tinyletter entries (some, gaps)
- country silence
- inside wasp
- { infant & shuteye, 2016 }
- 2019 then
- traced perhaps for a terrible circle, today was mostly your hand. (edits, deletions, 2017 and life under bell)
- from ( diets of the resurrected )
- but here we are putting our fingers in the boy’s mouth
- works, where, and
- all these anxiety machines
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at odds
- five at inertia magazine
- goodreads author page
- Half Light by Heather Minette, released by {isacoustic*}
- last man on earth
- mother's notebook
- on writing
- poems at MacQueen's Quinterly
- review of Erik Rasmussen's A Diet of Worms (at Heavy Feather review)
- review of Logan February's 'Mannequin In The Nude' (at Heavy Feather Review)
- review of Maya Sonenberg's AFTER THE DEATH OF SHOSTAKOVICH PÈRE (at Heavy Feather Review)
- review of Sybil Baker's While You Were Gone (at [PANK])
- short life
- the best
- three poems at The Collidescope
- Underfoot Poetry
- { poems and some words on Ghost Arson, Fearless [poetry zine] #66 }
publications by barton smock
reviews, interviews, oblivion
- essay, my small press writing day
- gazing grain press interview
- interview at the Collidescope, by George Salis
- kindness
- Krystal Sierra's review of Barton Smock's MOON tattoo
- poetic asides interview
- Power of Poetry statement @ The Poetry Question
- review of barton smock's 'mating rituals of the responsibly poor'
- review of Barton Smock's Hallelujah Lip-Synch by Emma Hall
- review of hiatus newsletters, synesthesia lit journal
- review of infant*cinema, by George Salis
- some kindness in allowing
- the poetry question
- tinyletter
- { interview at Flyway Journal by Crystal Stone in regards to collection Ghost Arson }
Twitter Updates
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- love that 'we fucked up our response and now it's worse' is being headlined as 'we are in a new phase of the pandemic' 1 day ago
- All the filmmakers behind Immigration Nation had to do to make ICE look bad was point the camera. slate.com/culture/2020/0… via @slate 2 days ago
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