Today's conversation with Darren C. Demaree about poetry and about his upcoming collection 'So Much More' due out from Small Harbor Publishing on November 7th was one for the bucket list of rural interiority and the wildlife of solitude as checkboxed by the necessity of my own ask and answer.
Our conversation is available on the youtube channel for the 'I Think I Can't Speak For Everyone Here' reading series HERE.
I had some words for the collection below:
As it sings re-choired in the collection 'So Much More', Darren C. Demaree’s work is the starstuff of purpose and confrontation. Signs, tattoos, vacated crows. The un-reminded world. A shapeshifting violence that roots us to form. An offering of unrest carried in the body of a deerlike creature that touches nothing with its living while living in a believable church where sleep can be turned on and off by any two of three hooves. Demaree’s verse lets home take us home because there’s a second time to have nothing. No insect is a lost insect. We are not, and were not, long for heaven. There is no earth, but here we are. Our children lovely enough to be terrified.
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Darren C. Demaree is the author of twenty-one poetry collections, most recently “in defense of the goat as it continues to wander towards the certain doom of the cliff”, (April Gloaming, February 2024). He is the recipient of a Greater Columbus Arts Council Grant, an Ohio Arts Council Individual Excellence Award, the Louise Bogan Award from Trio House Press, and the Nancy Dew Taylor Award from Emrys Journal. He is the Editor-in-Chief of the Best of the Net Anthology and the Managing Editor of Ovenbird Poetry. He is currently working in the Columbus Metropolitan Library system.
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