Dyscalculia
Camonghne Felix
One World, 2023
A blunt delicacy of slow care and tender economy, Dyscalculia, as doubly imagined by author and deeply reliable narrator Camonghne Felix, tells its story with its story. With break-up broken like the last romantic bone left as a soundbite trailing the howl that echo takes for snapping, it ensouls diagnosis with prognosis and makes of availability a border where on any given side a fringe context awards vision to those whose sight is an inheritance. Which is to say: It does the work. Felix uses verse as a suddenness with which to yield conversion from reversion while swearing on exhumations in a language that is both jarring and meditative. The performance itself designs a changeable, and elsewhere, audience that allows the reader to breathe above brackets and parentheticals as the marginalia of void and abyss. A warning, a trespass, a field, a comet- this is outside stuff that attends the inner. There is no reclaiming, here, of an old self, but rather a reclaiming of how one understands reinvention. To speak at its speaker, may we all ‘start to love what we know’, perhaps in stories such as this where the reading leaves those looking in the before-glow of its aftermath.
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reflection by Barton Smock
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Dyscalculia is HERE
reflections by Barton Smock on the previous work of Camonghne Felix are here and here
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